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All We Know of Heaven: A Novel, by Jacquelyn Mitchard
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Bridget Flannery and Maureen O'Malley have been BFFs since forever. Then a brief moment of inattention on an icy road leaves one girl dead and the other in a coma, battered beyond recognition. Family and friends mourn one friend's loss and pray for the other's recovery. Then the doctors discover they have made a terrible mistake. The girl who lived is the one who everyone thought had died.
Based on a true case of mistaken identity, All We Know of Heaven is a universal story that no one can read unmoved: a drama of ordinary people caught up in an unimaginable tragedy and of the healing power of hope and love.
- Sales Rank: #916538 in Books
- Brand: HarperTeen
- Published on: 2008-04-29
- Released on: 2008-04-29
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 1.05" w x 5.50" l, .98 pounds
- Binding: Hardcover
- 320 pages
- Great product!
From School Library Journal
Grade 9 Up—When two friends are in a car accident, one is killed and the other horribly injured and left in a coma. The girls are misidentified, and it's Bridget's parents and boyfriend who sit by the bedside waiting for her to awaken, while Maureen is actually the one alive. When Maureen awakens, it becomes apparent that a funeral was held for the wrong teen. The family of the one who survived is understandably overjoyed, but Bridget's is thrown into chaos. In addition to relearning to walk, speak, and even think properly, Maureen has to deal with the guilt of hurting Bridget's family, the loss of her best friend, and her emerging feelings for Bridget's boyfriend. Mitchard's novel was inspired by a recent national headline, though she changed several of the details. One of the author's strengths is how she moves between the points of view of all of her characters, clearly illustrating the different emotions of the people in the town. She doesn't shy away, either, from the reality of recovering from a brain injury. It is clear that Maureen will never have the same abilities she once did. The romantic relationship between her and Danny seems unrealistic, but it adds an element of normalcy to a story that could otherwise be too tragic and heavy. Girls who love to read melodrama and tragedy will enjoy this novel.—Stephanie L. Petruso, Anne Arundel County Public Library, Odenton, MD
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Both 16, Bridget and Maureen, best friends and neighbors in small-town Minnesota, look a lot alike, and when Maureen’s car crashes and the driver dies, everyone assumes that Maureen has been killed and it’s Bridget who lingers in a coma. Later, however, dental records prove that it’s Maureen who has survived, and Bridget’s family and boyfriend must suddenly cope with their grief, while Maureen’s family joyfully helps her through the months of recovery. The situation may be highly dramatic, but details seem to overwhelm the story—along with minutiae of Maureen’s brain injury, therapy, and recovery, come the emotions of the family members who find themselves suddenly in mourning. There’s also Maureen’s relationship with Danny (kind, wise, and totally gorgeous), with whom she has sex. Give this to readers who like descriptive stories; they’ll relish the specifics and be caught up by the tabloid drama, as well as by the survivor guilt that makes Maureen feel as if she’s being punished for living. Grades 8-12. --Hazel Rochman
Review
“Riveting, compassionate and psychologically nuanced…utterly gripping” (Publishers Weekly (starred review))
“Give this to readers…they’ll relish the specifics and be caught by the tabloid drama” (ALA Booklist)
Most helpful customer reviews
4 of 4 people found the following review helpful.
First half great, second half not so much.
By L. Deal
As one of the other critical review stated, this book was definitely too rushed in the second half. I liked the first half a lot; the similarities between the story and the Whitney Cerak/Laura Van Ryn true-life story were definitely obvious, but not problematically so. The parts with Maureen emerging from her coma are touching and well-written, as is the reveal of the mistaken identity. Once Maureen is out of the hospital, the book goes downhill fast. It hops from today to a year from now to six months later to... you get the idea. The author tries to cover too much time, with too little detail, in too few pages.
I didn't think the "love story" was a necessary addition to the book. I'm sure the reader is supposed to believe Danny when he insists that maybe he was in love with Maureen all along, but I certainly couldn't buy into that idea. One day he's waiting anxiously for the girl he believes to be his longtime girlfriend to awaken, the next day she's awake and not the girlfriend - so he's immediately just as much in love with Maureen as he was with Bridget. It's not believable. I don't blame the characters who accused him of using Maureen as his Bridget substitute, because that's exactly what happens.
I also didn't care for the use of dozens of characters who appeared once or twice then never again, giving us little sense of who is and isn't important in the main characters' lives. One girl is set up as a villain at the beginning, then basically vanishes for the rest of the book. The family members, with the exception of the girls' parents, are virtual strangers to us from beginning to end. I would have much rather had fewer characters and much more character development.
Overall, the book would have been much stronger if we'd learned more about the girls and their friendship before the accident and seen more of Maureen's struggle to cope with the loss of the friendship afterward. As it is, we don't know much about them before the accident, and Maureen seems to seamlessly slip into her deceased friend's role with a definite minimum of grieving and loss. I'm sure there are elements to the Cerak/Van Ryn story that the general public didn't see, but it seems to be a cheapening of their tragedy to basically retell the story but with more emphasis on the "love story" than the loss and learning to live again.
9 of 11 people found the following review helpful.
Courtesy of Teens Read Too
By TeensReadToo
I have read and reviewed many books over the past two years that have impressed me. I have read only a handful, however, that have touched me as deeply as ALL WE KNOW OF HEAVEN. This is a book that's hard to describe in detail, due mainly to the fact that I don't want to give too much of the story away. Suffice it to say, however, that it's a story that will stay with you long after you've turned the last page.
Two girls, Bridget and Maureen, who are so similar and yet so different at the same time. They have nearly identical body shapes, have the same colored hair and eyes, and even share many of the same mannerisms and characteristics. They've been best friends for several years, and yet there's a part of Maureen that understands that Bridget considers her to be her friend out of convenience, and for what she can provide for her.
Then there is an accident, a deadly one, and the lives of two girls and their families are forever changed. One girl dies, one girl lives. One family buries their daughter, one rejoices and yet fears over the fact that their daughter, now forever changed, lies unconscious and unknowing in a hospitable bed. Yet through it all, interspersed throughout the pages of the story, are the tangled thoughts of a young woman, who is unable to grasp even the simplest words and put them to the images she sees, yet who understands the concept that she's not the girl everyone seems to think she is.
The wrong daughter buried, the wrong family rejoicing. Fear, regret, heartbreak, happiness, hope -- and with it all, through it all, tinged by it all, lies guilt. Guilt that one girl survived, and one didn't. Guilt that one mother once hoped her daughter might die, to spare them all the pain of a long recovery. Guilt that one family's prayers seemed to be answered, and another's joy was cut short.
Guilt that one girl is not the other, could never be the other, and yet seems to be stepping into the life that girl left behind.
Jacquelyn Mitchard can write. She writes so well, in fact, that the reader is unable to step outside of the story of Maureen and Bridget once they've begun reading it. You can feel the pain, the happiness, the sorrow. You understand, and you grieve, and you rejoice, right along with the characters of ALL WE KNOW OF HEAVEN. This is a story you won't soon forget -- nor will you want to.
Reviewed by: Jennifer Wardrip, aka "The Genius"
3 of 3 people found the following review helpful.
Couldn't Really Get Into It
By Christina Christina
I never could quite get over the fact that this was so obviously based on the real life story. There were just so many resemblances to the true story. I read the true story and I was very impressed with the way the two families displayed such amazing grace and compassion in the face of unimaginable loss. In this book, everyone seems to give in to their darker impulses and it makes for a bit of a melodramatic story. I understand that the mistaken identity scenario is a bit symbolic of the way the survivor is trying to carve out her own identity after a lifetime of being known as her best friend's look-alike friend. The thing is, she carves out this new identity for herself by sleeping with her dead friend's boyfriend. The sexuality in this book really bothered me. If the book had portrayed teen sexuality honestly, that would be one thing. But I was never given anything more than a superficial insight into why the characters would sleep around with each other and what it really meant for them. It all felt too rushed. I didn't really connect with any of the characters. I did like the sections that were from the girl's point of view as she was emerging from her coma. There were some genuinely touching moments. But overall, it left me feeling kinda hollow. There was the mistaken identity plotline which was way too reminiscent of the real story, and as a result, I wasn't able to suspend my disbelief. And then there was the love story that didn't feel like it was as developed as it should have been. Maybe because the characters all felt like shadowy people who were placed in this ready-made plotline with a little love story on the side.
The ending felt too neatly wrapped up. And yet the story's central dilemma doesn't feel like it's actually been resolved, mainly because I didn't know what, exactly, the characters wanted. At the end of the book, it seems that what the girl wants is the boy. You know---girl wants boy, girl gets boy, girl loses boy, etc., etc. But this doesn't feel connected to the mistaken identity plotline. So it feels like there's two plotlines in here. One involves the slow healing process and the other involves a weird love triangle gone wrong. Neither plotline reveals anything significant about the human condition, other than the fact that human beings can be sneaky and creepy to each other and, ultimately, human beings are survivors. But I expected more from this story than an acknowlegment of something I already know. And as for the girl finding her identity, I really don't think she did, except through her adolescent boyfriend.
So yeah, this book didn't offer me much. Maybe I didn't get it. But I hope what I've said makes some sense.
I also found the writing to be problematic in places. There were awkward point of view shifts and the occasional shift in time that felt too rushed. And there were all these characters coming and going. Occasionally, a character would show up in a scene out of nowhere and I would wonder who he was. That happened at least once.
This had a lot of potential but it didn't live up to the promise for me. I'll still go on to read other Mitchard books but I was disappointed in this one.
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