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A respected surgeon and rare book collector is brutally murdered in his elegant Manhattan home, just hours after showing a book dealer the fifteenth-century manual of black magic—a grimoire—he'd received from a grateful patient. Now the healer's blood is everywhere—and only the priceless grimoire is missing.
The horrific death of her beloved father has shattered Beatrice O'Connell's quiet, sane, and orderly world. Only by tracking down the vanished malevolent tome—with its dark spell and salacious illustrations—can she hope to put things right. But the search is leading Beatrice, her ex-husband, and a mysterious occultist into an expanding labyrinth of powerful evils, a tangled web that reaches as far as the Vatican itself. What coveted secrets are hidden in the missing volume that threaten to turn Beatrice into precisely what her unseen and unrelenting enemies are determined to destroy?
- Sales Rank: #1816163 in Books
- Published on: 2008-04-29
- Released on: 2008-04-29
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x 1.00" w x 4.19" l,
- Binding: Mass Market Paperback
- 400 pages
From Publishers Weekly
Hitchcock, who enjoyed quite a succes d'estime with her first novel, Trick of the Eye, has concocted an odder but perhaps more crowd-pleasing brew her second time out. Beatrice O'Connell, her heroine, is a dutiful Catholic girl whose life is violently changed when her beloved father, a doctor and noted rare-book collector, is found murdered soon after receiving a grimoire (an old book of black magic) from a grateful patient. It soon becomes clear to Bea and to her ex-husband Stephen that book and murder both are part of some wider, nefarious plot; matters are further heated when normally timid Bea begins to discover the sexual wolf within her. The plot eventually expands to embrace a rebirth of the ancient Inquisition; a deadly struggle between freethinking womanhood and a Christianity somewhat to the right of Torquemada; and Bea's need to choose from among not two but three kinds of male admirer. Bea's sensuous mood swings are not always convincing, the climactic pages have her behaving more like a female James Bond than the thoughtful woman introduced earlier and the villain is decidedly over the edge. Still, the novel is never dull, even if it is hard to take it as seriously as Hitchcock, with her bursts of historical scholarship, seems to intend us to.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
The author of the Edgar Award-nominated Trick of the Eye (LJ 7/92) has penned what may be the epitome of the feminist thriller. A rare book collector in New York City receives a grimoire, a medieval book of black magic; shortly afterward, he is murdered. His daughter, Beatrice O'Connell, believes that the grimoire is connected to the murder and vows to discover how and why. Soon, she realizes that there is a powerful conspiracy connected to the grimoire as well as to another tome, a 15th-century book written to encode Christendom's eradication of witchcraft. As she grapples with the conspiracy, Beatrice also struggles with her long-dormant sexuality, now awakened to a fierce pitch. This provocative, compelling, and unsettling novel brilliantly explores the misogyny of Western culture and particularly of the Catholic Church. The graphic violence may offend some readers, but this ought to be one of the most talked-about books of the year. Recommended for all fiction collections.
Dean James, Houston Acad. of Medicine/ Texas Medical Ctr. Lib.
Copyright 1994 Reed Business Information, Inc.
From Kirkus Reviews
Hitchcock, whose first novel, Trick of the Eye (1992), was nominated for an Edgar, ventures onto riskier ground with this mystery thriller whose heroine defies a cabal of modern-day Inquisitors intent on bringing back the male-dominant Dark Ages. Gently raised by a devout Catholic mother and a rare-book- collecting surgeon father on New York City's genteel Beekman Place, 35-year-old Beatrice O'Connell, in the throes of a midlife identity crisis, has recently moved back in with her father in the wake of a failed marriage. Intent on her own troubles, the timid researcher hardly notices when her father receives another rare book as a gift in the mail from a grateful patient. But this tome--a 15th-century ``grimoire,'' or collection of black-magic spells, confiscated from a Nazi spy during WW II--harbors powers that Beatrice never dreamed of. Almost immediately, its disturbing illustrations of a female succubus devouring an innocent male inspire the first stirrings of Beatrice's latent sexuality, sending her off on an unlikely sexual adventure in Spanish Harlem. When she returns home, she finds her father dead and the mysterious grimoire missing. Stunned by her father's murder, confused by her newly discovered lust, distracted by conflicting relationships with her philandering ex-husband, her mysterious new lover, and an eccentric occult-book dealer who idolizes her, Beatrice nevertheless devotes herself to tracking down her father's murderer and learning the secret of the grimoire. In the process, she uncovers a snake's nest of woman-hating, Bible- toting, powerful men intent on burning all feminist ``witches'' at the stake and reinstating the dominance of Christian manhood. Calling the cops is not an option here, Beatrice soon realizes. Only by releasing the ``wolf'' inside herself can she hope to defeat this centuries-old expression of pure evil. Over the top, to say the least. Yet Hitchcock's clear, straightforward prose and civilized, articulate protagonists manage to keep the pages turning. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Great read...
By Chris A.
This was a great book! I didn't want to put it down & couldn't wait to pick it back up. It kept me very interested & I would recommend this book to others.
0 of 0 people found the following review helpful.
I wish I had written this book.
By Cathleen M. Walker
It has been a very long time since I have read a book so well crafted. Good writers are like finding a needle in a haystack (pardon the cliche) when anyone with a Kindle can publish anything. Not one grammatical error, no misspellings, complete sentences and no untied loose ends. The characters unfold dramatically, the story line makes very relevant and timely twists and turns, and I actually found myself questioning who were the good guys while questioning what I believe to be true. What if? What if the Malleus Maleficarum was more than a historic relic from a less educated time? What if it was still in affect? What if is the connection between the history of witch burning and the violence against women we continue to live with to this day? I wish I had written this book. I'm glad somebody as talented as this woman did.
6 of 6 people found the following review helpful.
An absorbing read
By A Customer
I was very intrigued and entertained by this novel. I felt that it was well-written, had believable characters, and presented a fascinating story which kept me hooked to the end. I certainly do not believe that the modern world is beyond the sort of fanaticism described in this book. I'm not surprised at the negative reviews from people who are obviously disturbed and/or threatened by its frank and unflinching exploration of the themes of sexuality, witchcraft, and religion. Ms. Stanton has worked to illuminate the complexities of human experience and motive through her characters, and has managed to spin a good yarn in the bargain! She has also tried to avoid having her characters become mere mouthpieces for one perspective. She succeeded admirably in this with her female lead character, allowing her to grow and deepen in her understanding of the conflicting aspects of herself, but was not as successful giving this same capacity to her male characters. Ms. Stanton seemed content to leave them hopelessly stuck in their automatic reactions and compulsions. Despite the feminist male stereotyping, it was a fun read. I will definitely be looking for other novels by this author.
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