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Gone, Baby, Gone (Harper Fiction), by Dennis Lehane
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“Powerful and raw, harrowing, and unsentimental.”
—Washington Post Book World
“Chilling, completely credible….[An] absolutely gripping story.”
—Chicago Tribune
“Mr. Lehane delivers big time.”
—Wall Street Journal
In Gone, Baby, Gone, the master of the new noir, New York Times bestselling author Dennis Lehane (Mystic River, Shutter Island), vividly captures the complex beauty and darkness of working-class Boston. A gripping, deeply evocative thriller about the devastating secrets surrounding a little girl lost, featuring the popular detective team of Patrick Kenzie and Angela Gennaro, Gone, Baby, Gone was the basis for the critically acclaimed motion picture directed by Ben Affleck and starring Casey Affleck, Ed Harris, and Morgan Freeman.
- Sales Rank: #1841252 in Books
- Published on: 2007-09-25
- Released on: 2007-09-25
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x 1.12" w x 4.19" l, .48 pounds
- Binding: Mass Market Paperback
- 448 pages
Amazon.com Review
Cheese Olamon, "a six-foot-two, four-hundred-and-thirty-pound yellow-haired Scandinavian who'd somehow arrived at the misconception he was black," is telling his old grammar school friends Patrick Kenzie and Angie Gennaro why they have to convince another mutual chum, the gun dealer Bubba Rugowski, that Cheese didn't try to have him killed. "You let Bubba know I'm clean when it comes to what happened to him. You want me alive. Okay? Without me, that girl will be gone. Gone-gone. You understand? Gone, baby, gone." Of all the chilling, completely credible scenes of sadness, destruction, and betrayal in Dennis Lehane's fourth and very possibly best book about Kenzie and Gennaro, this moment stands out because it captures in a few pages the essence of Lehane's success.
Private detectives Kenzie and Gennaro, who live in the same working-class Dorchester neighborhood of Boston where they grew up, have gone to visit drug dealer Cheese in prison because they think he's involved in the kidnapping of 4-year-old Amanda McCready. Without sentimentalizing the grotesque figure of Cheese, Lehane tells us enough about his past to make us understand why he and the two detectives might share enough trust to possibly save a child's life when all the best efforts of traditional law enforcement have failed. By putting Kenzie and Gennaro just to one side of the law (but not totally outside; they have several cop friends, a very important part of the story), Lehane adds depth and edge to traditional genre relationships. The lifelong love affair between Kenzie and Gennaro--interrupted by her marriage to his best friend--is another perfectly controlled element that grows and changes as we watch. Surrounded by dead, abused, and missing children, Kenzie mourns and rages while Gennaro longs for one of her own. So the choices made by both of them in the final pages of this absolutely gripping story have the inevitability of life and the dazzling beauty of art.
Other Kenzie/Gennaro books available in paperback: Darkness, Take My Hand, A Drink Before the War, Sacred. --Dick Adler
From Publishers Weekly
Vanished, in this complex and unsettling fourth case for PIs Patrick Kenzie and Angie Gennaro (after Sacred, 1997) is four-year-old Amanda McCready, taken one night from her apartment in Dorchester, a working-class section of Boston, where her mother had left her alone. Kenzie and Gennaro, hired by the child's aunt and uncle, join in an unlikely alliance with Remy Broussard and Nick Raftopoulos, known as Poole, the two cops with the department's Crimes Against Children squad who are assigned to the case. In tracing the history of Amanda's neglectful mother, whose past involved her with a drug lord and his minions, the foursome quickly find themselves tangling with Boston's crime underworld and involved in what appears to be a coup among criminals. Lehane develops plenty of tension between various pairs of parties: the good guys looking for Amanda and the bad guys who may know where she is; the two PIs and the two cops; various police and federal agencies; opposing camps in the underworld; and Patrick and Angie, who are lovers as well as business partners. All is delivered with abundant violence?e.g., bloated and mutilated corpses; gangland executions; shoot-outs with weapons of prodigious firepower; descriptions of sexual abuse of small children; threats of rape and murder?that serves to make Amanda's likely fate all the more chilling. Lehane tackles corruption in many forms as he brings his complicated plot to its satisfying resolution, at the same time leaving readers to ponder moral questions about social and individual responsibility long after the last page is turned. Author tour.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
This fourth entry in Lehane's series featuring Boston PIs Patrick Kenzie and Angela Gennaro has all the makings of a successful mystery: suspenseful plotting, effective dialog, strong characterization, realistic setting, and themes that are bound to hold the reader's attention, e.g., child neglect, abuse, and kidnapping. Moreover, it asks the sort of moral question that moves it beyond the boundaries of its purported genre into the realm of serious fiction. Unfortunately, narrator Robert Lawrence provides a reading that greatly mars the story's impact. His narration is generally uninvolved and poorly paced, as if he'd been set on automatic pilot. And while he adopts different voices for the various characters, they are often mismatched and sound more like caricatures. Occasionally he is right on target but not often enough to redeem this audio version of an otherwise fine novel. Not recommended.?Sister M. Anna Falbo CSSF, Villa Maria Coll. Lib., Buffalo, NY
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
130 of 136 people found the following review helpful.
Don't Read This Book....
By tdeal11
This fourth book in this great series is Lehane's best one yet. The ending is very thought provoking and will stay with you for awhile. One very important piece of information is NOT to read this book if you haven't read the previous three. Information is disclosed that gives away the endings of some of the previous novels so they work best when read in order. Believe me when I say you'll want to read all of them.
61 of 64 people found the following review helpful.
One of the best books in this series
By Craig Larson
Gone, Baby, Gone is one of Lehane's best Kenzie/Gennaro books, even though its subject matter, the kidnapping and abuse of children, isn't particularly sunny. Patrick and Angela are called on to investigate the disappearance of four-year-old Amanda McCready, who lives with an awful, distracted, zero of a mother. Her inattention to her daughter and her needs is painted so vividly that it is easy to hope that, wherever she is, Amanda's life is somehow better. This disappearance leads the detectives into a morass of drug dealers and pedophiles and crooked police.
Ultimately, it all leads to a gripping, heart-breaking climax that is pretty much a no-win situation for all involved. Sure, there are some contrivances in the plot that bring us to this point--as other reviewers have pointed out--but this is still one heck of a powerful book, with vivid characters and a real sense of setting and community. We can see how the neighborhood gives birth to monsters like Cheese Olamon and Angie's and Patrick's "friend" Bubba, while others choose another route for their lives. This is a step up from the previous book, Sacred, and shows Lehane getting ready for the powerhouse book to come, Mystic River.
28 of 29 people found the following review helpful.
Unsettling, Honest Fourth Outing
By Brett Benner
Reading about the scum of humanity that Lehane's Patrick Kenzie and Angie Gennaro come up against is like watching a David Fincher movie. It's all grit staring you right in the face with unflinching honesty.The fourth book in the detective series has the duo searching for a missing child. In true Lehane fashion, there are more twists than a crazy straw, and the plot gets deeper and deeper and more horrifying as the truth comes out. Luckily there's the character of Bubba to add some needed comic relief to the story. A story that's hard to put down, and harder to shake when you finish it.
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