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The Red Leather Diary: Reclaiming a Life through the Pages of a Lost Journal, by Lily Koppel
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For more than half a century, the red leather diary languished inside a steamer trunk. Rescued from a Dumpster on Manhattan's Upper West Side, it found its way to Lily Koppel, a young writer, who opened its tarnished brass lock and journeyed into an enthralling past. The diary painted a breathtaking portrait of a bygone New York—of glamorous nights at El Morocco and elegant teas at Schrafft's during the 1920s and '30s—and of the headstrong, endearing teenager who filled its pages with her hopes, heartaches, and vivid recollections. Intrigued, Koppel followed her only clue, a frontispiece inscription, to its now ninety-year-old owner, Florence Wolfson, and was enchanted as Florence, reunited with her diary, rediscovered a lost younger self burning with artistic fervor.
Joining intimate interviews with original diary entries, The Red Leather Diary re-creates the romance and promise of a remarkable era and brings to life the true story of a daring, precocious young dreamer.
- Sales Rank: #1077724 in Books
- Brand: Harper
- Published on: 2008-04-08
- Released on: 2008-04-08
- Format: Deckle Edge
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.09" w x 5.13" l, 8300.00 pounds
- Binding: Hardcover
- 336 pages
- Great product!
From Publishers Weekly
Journalist Koppel found the inspiration for this book, based on her 2006 New York Times article, after discovering Florence Wolfson’s diary in a Manhattan dumpster. Koppel eventually locates Florence in Florida and surprises the 90-year-old with this artifact from her past, which reveals her views on growing up as an intelligent, ambitious and creative teenager on the Upper West Side of Manhattan in the 1930s. Florence received the diary as a present on her 14th birthday. She recorded everything from her first kiss (with a boy) to her crush on actress Eva Le Galliene (which led her to question her sexuality) to her passion for writing and art. The diary acts as a window into a fascinating and privileged world, one that Koppel tries to recreate by writing in a novelistic way, using no more than snippets of text from Florence’s diary and, we can presume, multiple interviews as support. The result, which some readers may find frustrating and others rewarding, is that the original inspiration—the diary itself—becomes no more than a starting point for a much larger story: that of Florence’s life.
From Booklist
In 2003, Koppel, a novice writer for the New York Times, stumbled upon an amazing discovery: the decades-old diary of a privileged teenaged Manhattanite penned between 1929 and 1934. Fascinated by entries detailing theater expeditions, shopping sprees, love interests, and grand ambitions, she put her journalistic skills to good use, tracking down the original owner of this faded and cracked red-leather treasure. Elated to discover 90-year-old Florence Wolfson alive, alert, and eager to share her memories of a bygone time and place, Koppel began interviewing Florence, interweaving the brief diary entries with more detailed personal anecdotes infused with the type of glamour and sophistication associated with a 1930s romantic comedy. After a front-page story appeared in the New York Times Sunday City section, interest in Florence’s fascinating story prompted the author to write a full-length book that works as both a biography and a spellbinding glimpse into a vanished era. --Margaret Flanagan
Review
“Skillful reporting, fine prose and [an] excellent eye for period detail. . . . A story about not one but two lovable characters—and the city that brought them together.” (New York Times Book Review)
“Florence’s life reads like E.L. Doctorow’s Ragtime in places, with all the famous paths crossed and situations experienced; while descriptions of city life recall Marjorie Hart’s Summer at Tiffany... Together, Koppel and Florence take readers through a world dizzy with new ideas, rhythms and inventions.” (BookPage)
“After a front-page story appeared in the New York Times Sunday City section, interest in Florence’s fascinating story prompted the author to write a full-length book that works as both a biography and a spellbinding glimpse into a vanished era.” (Booklist)
“Koppel’s love of New York is obvious in the details she draws from Florence’s diary, which show how the city has changed in ways both big and small. An entertaining and enjoyable work.” (Library Journal)
“In The Red Leather Diary, Lily Koppel finds an old journal in a Dumpster, gets lost in its rich take on 1930s New York and, improbably, tracks down the now-90-year-old woman whose life—real and imagined—fills its worn pages.” (Reader's Digest (Editors' Choice))
“New York Times writer Lily Koppel’s The Red Leather Diary melds three life-affirming subjects—Florence Wolfson’s journal of life in 1930s Manhattan, Koppel’s discovery of it in a Dumpster decades later, and the meeting of the two women—into one enchanting memoir.” (Elle)
“Sparked by a felicitous discovery in an Upper West Side dumpster, New York Times writer Lily Koppel spins an enthralling true fairy tale about a Depression-era ingénue.” (Vogue)
“A window into a fascinating and privileged world. . . . Rewarding.” (Publishers Weekly)
“THE RED LEATHER DIARY is a fascinating book—inventive and inspiring.” (Erica Jong, #1 New York Times bestselling author of Fear of Flying)
Most helpful customer reviews
64 of 68 people found the following review helpful.
Disappointing
By Terry
The premise was interesting but the execution poor. There is much information but little life in the telling of Frances' story. Confoundedly uneven: for example, dwells at length on her superficial teenage lesbian affairs, but glosses over the details of the romance with the love of her life. No drama, no introspection, no examination of why or how things happened. Most annoying, however, was Lily Koppel's self-conscious intrusion into the story, reminding us repeatedly about her role in bringing the diary to the world's attention. As if telling the world that she's done so might give her some unearned gravitas, an understanding of what it all means, or at least fool the reader into overlooking her artless, simplistic style. Was especially annoyed with her attempts at impressing the reader with her glamorous-but-shallow writing assignments that had nothing to do with the story. Had a hard time getting through the whole book.
95 of 109 people found the following review helpful.
I'm mixed about this one...
By Ellis Bell
In 2003, a young journalist for the New York Times named Lily Koppel discovers the diary of Florence Wolfson, age 14, in a discarded steamer trunk on the Upper West Side. Investigation leads her to find out that Florence is still living. Upon visiting the 90-year-old, Florence tells Lily her story, of growing up in New York in the 192os and `30s. Florence grew up in an affluent Jewish family, and kept the diary for five years, from age 14 to 19. She was an active writer and artist. Florence attended a private girls' school and then Hunter College (then all women and now co-ed and part of the CUNY system), where she was active in the college literary magazine. Along the way she experimented with same-sex relationships and agonized over the behavior of boys, eventually marrying a childhood friend.
It seems like your typical coming-of-age story, except for the fact that Florence's is very much of the place and era she grew up in. Little facts about New York City are revealed: for example, for thirty years, there were little statues of Mercury mounted on top of all the stoplights in the city. That was one of the biggest draws of this book. Florence had a pretty average New York City childhood, all things considered; and adding in those little bits of arcane trivia really spiced things up for me.
There were a couple of problems I had with this book: first, Koppel spends an inordinate amount of time bragging about her accomplishments. The story is ultimately Florence's, and Lily talking about, say, a story she did once detracts from that. Koppel's prose seemed a little bit purpled and hackneyed; she also tries to make generalizations about the New York of today that ultimately don't ring true. Also, I thought the book would have been better if Florence had actually written it herself. She's a writer, so why not?
0 of 0 people found the following review helpful.
A good story but a little repetitive
By TurkWink
Although I enjoyed this book, I feel like it could have been done with far fewer pages. Although the content was rich in detail, the storyline was a bit choppy and redundant, as if the reader did not have a memory and had to be reminded quite often. Also lacked the flow of a good novelist, written more like the journalist the author is. A good story and interesting characters. I will recommend this to people who like history and easy reading.
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