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The extraordinary debut novel that became a modern classic

Born mute, speaking only in sign, Edgar Sawtelle leads an idyllic life with his parents on their farm in remote northern Wisconsin. For generations, the Sawtelles have raised and trained a fictional breed of dog whose remarkable gift for companionship is epitomized by Almondine, Edgar's lifelong friend and ally. Edgar seems poised to carry on his family's traditions, but when catastrophe strikes, he finds his once-peaceful home engulfed in turmoil.

Forced to flee into the vast wilderness lying beyond the Sawtelle farm, Edgar comes of age in the wild, fighting for his survival and that of the three yearling dogs who accompany him, until the day he is forced to choose between leaving forever or returning home to confront the mysteries he has left unsolved.

Filled with breathtaking scenes—the elemental north woods, the sweep of seasons, an iconic American barn, a fateful vision rendered in the falling rain—The Story of Edgar Sawtelle is a meditation on the limits of language and what lies beyond, a brilliantly inventive retelling of an ancient story, and an epic tale of devotion, betrayal, and courage in the American heartland.

• Sales Rank: #34574 in Books
• Brand: PowerbookMedic
• Published on: 2009-09-08
• Released on: 2009-09-08
• Format: Deckle Edge
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .97" w x 5.31" l, 1.10 pounds
• Binding: Paperback
• 608 pages

Features

• Great product!

Amazon.com Review
Amazon Best of the Month, June 2008: It's gutsy for a debut novelist to offer a modern take on Hamlet set in rural Wisconsin--particularly one in which the young hero, born mute, communicates with people, dogs, and the occasional ghost through his own mix of sign and body language. But David Wroblewski's extraordinary way with language in The Story of Edgar Sawtelle immerses readers in a living, breathing world that is both fantastic and utterly believable. In selecting for temperament and a special intelligence, Edgar's grandfather started a line of unusual dogs--the Sawtelles--and his sons carried on his work. But among human families, undesirable traits aren't so easily predicted, and clashes can erupt with tragic force. Edgar's tale takes you to the extremes of what humans must endure, and when you're finally released, you will come back to yourself feeling wiser, and flush with gratitude. And you will have remembered what magnificent alchemy a finely wrought novel can work. --Mari Malcolm

Book Description

Born mute, speaking only in sign, Edgar Sawtelle leads an idyllic life with his parents on their farm in remote northern Wisconsin. For generations, the Sawtelles have raised and trained a fictional breed of dog whose thoughtful companionship is epitomized by Almondine, Edgar's lifelong friend and ally. But with the unexpected return of Claude, Edgar's paternal uncle, turmoil consumes the Sawtelles' once peaceful home. When Edgar's father dies suddenly, Claude insinuates himself into the life of the farm--and into Edgar's mother's affections.

Grief-stricken and bewildered, Edgar tries to prove Claude played a role in his father's death, but his plan backfires--spectacularly. Forced to flee into the vast wilderness lying beyond the farm, Edgar comes of age in the wild, fighting for his survival and that of the three yearling dogs who follow him. But his need to face his father's murderer and his devotion to the Sawtelle dogs turn Edgar ever homeward.

David Wroblewski is a master storyteller, and his breathtaking scenes--the elemental north woods, the sweep of seasons, an iconic American barn, a fateful vision rendered in the falling rain--create a riveting family saga, a brilliant exploration of the limits of language, and a compulsively readable modern classic.

Double Life, with Dogs: An Amazon Exclusive Essay by David Wroblewski

We write the stories we wish we could read. There's no other reason to do it, to spend years pacing around your basement, mumbling, pecking at a keyboard, turning your back on a world that offers such a feast of delicious fruits. The Story of Edgar Sawtelle came about because some time ago I wished I could read a novel about a boy and his dog, one that integrated our contemporary knowledge of canine behavior, cognition, and origins with my experience of living with dogs; if possible, something flavored with the uncynical Midwestern sense of heart and purpose so familiar from my childhood (and something which, in truth, I've spent much my adult life being slightly ashamed of, as if either heart or purpose were embarrassing attributes for a grown-up to display). I'd recently come to know a good dog, maybe the best dog I'd ever met, and the subject of people and dogs and ethics and character suddenly seemed urgent. But when I went looking for such a story, I had to go back almost a hundred years, back to Jack London's Call of the Wild. That was a surprise. A little while after that, an idea for a story came to me--not the whole thing, but enough to start.

Continue Reading Double Life, With Dogs

Praise from Stephen King

"I flat-out loved The Story of Edgar Sawtelle, and spent twelve happy evenings immersed in the world David Wroblewski has created. As I neared the end, I kept finding excuses to put the book aside for a little, not because I didn't like it, but because I liked it too much; I didn't want it to end. Dog-lovers in particular will find themselves riveted by this story, because the canine world has never been explored with such imagination and emotional resonance. Yet in the end, this isn't a novel about dogs or heartland America--although it is a deeply American work of literature. It's a novel about the human heart, and the mysteries that live there, understood but impossible to articulate. Yet in the person of Edgar Sawtelle, a mute boy who takes three of his dogs on a brave and dangerous odyssey, Wroblewski does articulate them, and splendidly. I closed the book with that regret readers feel only after experiencing the best stories: It's over, you think, and I won't read another one this good for a long, long time.

In truth, there's never been a book quite like The Story of Edgar Sawtelle. I thought of Hamlet when I was reading it, and Watership Down, and The Night of the Hunter, and The Life of Pi--but halfway through, I put all comparisons aside and let it just be itself.

I'm pretty sure this book is going to be a bestseller, but unlike some, it deserves to be. It's also going to be the subject of a great many reading groups, and when the members take up Edgar, I think they will be apt to stick to the book and forget the neighborhood gossip.

Wonderful, mysterious, long and satisfying: readers who pick up this novel are going to enter a richer world. I envy them the trip. I don't re-read many books, because life is too short. I will be re-reading this one."

From Publishers Weekly
Starred Review. This sprawling epic tale clocks in at 22 hours, but is well worth the time spent. Wroblewski captivates with a story of a young boy and his dogs cast into the wilderness after his father is murdered in rural Wisconsin. Richard Poe reads with a firm voice, both gripping and personal, fitting for this particular tale. Poe brings the story to life with such ease that listeners will forget they aren't actually reading the book. Steady pacing, realistic and imaginative characters and Poe's skilled performance make this a recording that (even at its length) listeners will want to hear again. This is an instant classic that will resonate for years to come. An Ecco hardcover (Reviews, Feb. 18).(Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
Set in rural nineteen-seventies Wisconsin, this loose retelling of Hamlet focusses on Edgar, a boy born mute and with a preternatural ability to commune with the dogs whose breeding and training is his family’s business. Idyllic routine is threatened when Edgar’s ne’er-do-well uncle comes to live with the family, and the menace persists even after his sudden departure. Soon afterward, Edgar’s father dies of an apparent aneurysm; Edgar becomes convinced, but can’t prove, that his uncle—who soon inserts himself back into the family—is to blame. In this début novel, Wroblewski illustrates the relationship between man and canine (at times, from the dog’s point of view) in a way that is both lyrical and unsentimental, and demonstrates an ability to create a coherent, captivating fictional world in which even supernatural elements feel entirely persuasive.
Copyright ©2008Click here to subscribe to The New Yorker

Most helpful customer reviews

967 of 1066 people found the following review helpful.
Could have been a great one--Don't read if you haven't read book
By Little Angie
Sometimes a book just has the wrong ending, not a sad or loose end trailing kind of ending--both of those endings are just fine if they are the right ending for the story, but the wrong ending. 'The Story of Edgar Sawtelle' is a book with the wrong ending, making it a frustrating read.
Unanswered threads such as how Edgar's parents met or why Gar and Claude hated each other or exactly how Almondine died don't really affect the quality of the story; the author has given us enough clues to let us fill in those blanks on our own. Edgar's parents had created a lovely game of giving Edgar misinformation about their courtship. The truth, although good, as his mother said, would only be a letdown. Any tale of sibling rivalry goes back to Cain and Abel. We can fill in how Claude was jealous of Gar and how Gar resented Claude getting away with things. Almondine died because she was old and old dogs die and she died because she was Ophelia and Ophelia dies. It doesn't matter whether the car hit her (which I don't think happened) or whether she just died on the side of the road waiting for Edgar to return. Her fate was to die while Edgar was away.
But a wrong ending is a completely different matter. It can make us resent the time and emotion we have invested in a story. And the ending is wrong for this book whether you see it as a retelling of 'Hamlet' or as a dog story. 'The Story of Edgar Sawtelle' follows the plot in 'Hamlet' so closely that it is wrong that Trudy/Gertrude doesn't get the poison intended for Edgar and wrong that Claude/Claudius getting trapped in the burning barn doesn't feel more satisfying and dramatic. To leave Trudy out of the ghostly group hug at the end is, as several people have commented, just cruel. Why leave Trudy alive and destroyed at the end without the redemption of an afterlife with the ones she loved? What evil did she do to deserve a worse end than Claude? Remember, she didn't even ask Claude back. Edgar did when he realized that his mother would die if she didn't get help with the kennel.
If you look at the story as a dog story, then the ending is wrong as well. John Sawtelle picked dogs that had a special connection to their humans. Gar and Trudy carried this on in their dog breeding. That is the importance of the Haichiko story, in addition, of course, to its relevance as a ghost story in the 'Hamlet' parallel. Essay chose Edgar. So to have her choose to lead the other dogs off instead of coming into the barn to defend and protect Edgar, as Almondine did with the rabid animal, has her make an incomprehensible (and enormously wrong) choice. If Wroblewski wanted to show us that you can't breed loyalty, then why did the rest of the story show us that you can. Trudy has spent the entire book trying to get Edgar to understand what makes the Sawtelle dogs special and as soon as he gets it, the next step in the evolution of Sawtelle dogs, Essay, shows him that Trudy was wrong. To have Edgar go to the trouble of saving the kennel papers just to show us how worthless they are--the dogs have gone wild, Edgar is dead and Trudy catatonic--is a pretty nihilistic and wrong-headed conclusion, given the loyalty and love that have filled the rest of the story.
Are we supposed to believe that Edgar would allow Claude to get so close given his understanding of Claude's intentions? Are we supposed to believe that Trudy whose love for her son kept her from irrecoverable depression would not have found some way to get into the barn, even if she had to maim Glen further to break free?
'The Story of Edgar Sawtelle' frustrates so many of us posting on this site because the ending feels so wrong. Could Wroblewski have just gotten tired of telling his story and wanted to be done or perhaps his editor was up against a time crunch and needed to get the book to bookstore shelves quickly? Whatever happened, it's a shame because the characters deserved a proper ending and so did we, the readers.

1106 of 1231 people found the following review helpful.
Disappointed - Not worthy of quesionable hype
By AlixAJ
I'm having a really hard time believing that all these 5-star reviews are legitimate. Some of them don't even seem to be by someone who READ this book as they are full of factual errors. I cannot recommend this book, but will try to provide some insight into what you'll REALLY be getting if you buy it.

What's good: Author is a gifted wordcrafter, with an ability to pick poetic and unusual phrases to capture an image or feeling. The dog interactions in the wild are inspired and inspiring. The evoking of a time and place (rural Wisconsin in the 50's) is powerful.

What's not: Pacing is virtually unchanged throughout. There are dozens of plotlines that occupy pages and go nowhere and are never resolved or tied in (dog breeding debate, Forte, stray puppy, town fortune teller, role of Dr. Papideau, Henry and the dogs - for just a few). It's sort of like a long poem or a set of song lyrics that makes you sit back and appreciate it's beauty, but scratch your head at the point. Presented as a tragedy, but just disappointing, not cathartic. Evil personified (Claude) is just sort of grey and strange - no convincing explanation for source of his evilness or his motivation for ruining everything. No clear personal flaws presented in Gar, Trudy or Edgar to make them deserving of their fate - in fact quite the contrary. About 90% of the way through, all these threads have been spun and you're waiting for the author to work his magic of pulling them all together into a beautiful and coherent ending, and instead he just quits and literally burns it all down. It's not that I insist on a happy ending, but I insist on one that makes me feel there was a point to my journey.

In short, if you love Russian novels, go ahead. DON'T buy if you think you're getting a "dog story" or a "kid story".

=============================================
Christmas Day, 2008

Thank you to all who took the time to read my review and comment so thoughtfully. I guess a book that inspires this much discussion must have something going for it.

In response to the comment that I got the time wrong; you are all correct. I think that the extremely rural setting made it feel more old-fashioned than the 70's, so that was why I mentally settled on the 50's as I read it. I grew up in the 70's in rural Pennsylvania, and this did not feel at all the same. But, I'll be more careful with my specifics if I post any more reviews.

My comments about other reviews being inaccurate related to a series of five-star "customer" reviews posted in the first month or so after Stephen King gave his gushing endorsement. No fewer than three of these "customer" reviews contained exactly the same substantial errors about Forte and characters in the book. (Even the wording of the reviews was only subtly different. I'm having a hard time finding the reviews now because there are so many.) At the time, I was deeply suspicious that the publishing house was manipulating the review system to push sales of this book. The whole Oprah/Stephen King/5-star review combo is incredibly powerful in driving sales, and I'm not sure it's completely objective.

And I'm a "she", not a "he." :) Keep reading and posting!

512 of 573 people found the following review helpful.
Author Torches His Book As Well - Save Your Money
By Walter Scott
If you enjoy spending hours immersed in promising prose that concludes with one of the most dreadful endings in the history of American literature, then by all means buy this book. You will become invested in the characters, mesmerized by the setting, infatuated with the dogs, and absolutely sickened and enraged by the cop-out of an ending. It is as though the author expended all his artistry and had nothing but venom for the story at the end.
I understand tragedy, and I do not require or expect happy endings, but of all the ways this story could have ended, the worst of all possible worlds was chosen. The good guys lose, the bad guys lose, the marginal characters lose, the dogs lose, and ultimately the reader is the biggest loser of them all. The reader is left to resent the time spent getting to the conclusion. A refund of the cost of the book would not repay time wasted reading it.
At times, Wroblewski writes so well that he approaches the level of a Hemmingway or a Steinbeck; but he finishes so wretchedly that he falls far short of an amateur King. The reader is left to wonder why the author hated this story so much that he torched it too at the end.

See all 2407 customer reviews...

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> PDF Download Flying Tigers: Claire Chennault and His American Volunteers, 1941-1942, by Daniel Ford

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During World War II, in the skies over Rangoon, Burma, a handful of American pilots met and bloodied the "Imperial Wild Eagles" of Japan and in turn won immortality as the Flying Tigers. One of America's most famous combat forces, the Tigers were recruited to defend beleaguered China for $600 a month and a bounty of $500 for each Japanese plane they shot down—fantastic money in an era when a Manhattan hotel room cost three dollars a night.

To bring his prize-winning history of the American Volunteer Group up to date, Daniel Ford has completely rewritten his 1991 text, drawing on the most recent U.S., British, and Japanese scholarship. New material from AVG veterans—including Erik Shilling and Tex Hill—help fill out the story, along with newfound recollections from Japanese and New Zealand airmen. Ford also takes up the rumors that Royal Air Force pilots "sold" combat victories to the Flying Tigers in order to share in the bounties paid by the Chinese government.

"Admirable," wrote Chennault biographer Martha Byrd of Ford's original text. "A readable book based on sound sources. Expect some surprises." Even more could that be said of this new and more complete edition.

• Sales Rank: #868155 in Books
• Published on: 2007-08-23
• Released on: 2007-08-21
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.24 pounds
• Binding: Paperback
• 384 pages

Features

• world war II
• airplanes
• flying tigers
• china

From Library Journal
Many books, articles, films, and TV productions have appeared on the legendary exploits of the Flying Tigers, General Chennault's small band of U.S. Army and Navy pilots recruited to fly for China in 1941. This is not another laudatory work. The author tries to strip away many of the legends surrounding the Group. There were never more than 100 pilots (not 200). Some of them enlisted for adventure and some for patriotic reasons. The majority were attracted by the salary--$500 per month plus a bonus for every enemy plane destroyed--much more than they could earn in the peacetime Army. Most served out their year's contract, collected that money, and went home. Contrary to popular opinion, they were not fighting the Japanese before America entered the war. They did not see action until December 7th. The Group destroyed 115 enemy planes and lost 22. Actually they had little influence on the outcome of World War II; but 50 years later the publicity rolls on. A worthwhile addition to aviation and World War II collections. P.S., John Wayne never served with the Flying Tigers. For a roundup of books on Pearl Harbor and the Pacific War, see "Day of Infamy in Print," LJ 9/1/91, p. 206-7.--Ed.
- Stanley Itkin, Hillside P.L., New Hyde Park, N.Y.
Copyright 1991 Reed Business Information, Inc.

Review
"Every page contains a new tidbit of information and rich, long-forgotten detail.... A riveting read." -- World War II History, November 2007

"A worthwhile addition to aviation and World War II collections." -- Library Journal, September 1, 1991

Having been a fan of the Flying Tigers since I saw the John Wayne movie as a kid, I picked up this updated version of their impressive combat history. One of the most interesting aspects of Ford's well-researched book is its in-depth coverage of 1st American Volunteer Group (AVG) personnel, an odd lot of rugged individualists. --Col. Gordon Keiser, United States Naval Institute 'Proceedings', February 2010

In this second edition of his 'revisionist' history masterpiece, Daniel Ford tightens up the tale ... and adds dramatic new details. -- JDR on SeacoastNH, August 18, 2007

“A first-rate history.” --Boston Globe

“A major contribution to the history of the air war in the Pacific.” --Don Lopez, US Army 23rd Fighter Group Flying Tigers

“Admirable--a readable book based on sound sources. Expect a few surprises.” --Air Power Historian

“Meticulously researched, carefully documented.” --Washington Times

“Totally engrossing--just like reliving those days fifty years ago.” --Robert Neale, AVG 1st Squadron

“War history as it should be written.” --The Hook

“Without question, the most readable and complete account of the AVG yet written.” --Thomas Norton in Air & Space / Smithsonian

"In this vivid and fact-filled historical account of aerial combat, Daniel Ford completely updates and revises his 1991 work describing the extraordinary accomplishments of the pilots and support crews of the 1st American Volunteer Group (AVG) in the earliest days of World War II....

"The author's depictions of air combat are especially gripping, often describing individual pilots flying for both sides, while providing ample technical information on the types of aircraft in the engagements. Of course the primary characters are all here, from Chennault, a chain-smoking, tough, and innovative leader, to pilots Tex Hill, Eddie Rector, and Greg Boyington (later of VMF-214 "Black Sheep" fame). Ford's history is serious, but it is also rich with stories about this colorful and adventurous group, including the beautiful and mysterious Olga Greenlaw, wife of the AVG's executive officer.

"While correcting some errors and omissions, Ford stands his ground on the most controversial viewpoint expressed in his 1991 edition - that the Flying Tigers' claimed official record of 296 combat victories (including aircraft destroyed on the ground) was greater than what they actually achieved. Citing comprehensive research into the historical records of all involved, Ford makes a good case that because of the predictable stress, fear, and chaos involved in vicious aerial combat, the AVG's reported victories were inflated over a true figure likely closer to 115.

"Ford's book, then, is not a glorification of the Flying Tigers, but its meticulous examination of their genuine and courageous achievements pays them greater homage than the numbers would, however tallied. Ford closes his book with these words: "More than sixty years ago, in their incandescent youth, they were heroes to a nation that needed heroes. . . . All honor to them." Indeed, and acclaim to Daniel Ford for his thorough telling of an eventful war in the air, one that should be remembered."
--William Calhoun

About the Author
Daniel Ford has spent a lifetime reading and writing about the wars of the past hundred years, from the Irish rebellion of 1916 to the counter-guerrilla operations in Iraq and Afghanistan. He is best known for his history of the American Volunteer Group--the 'Flying Tigers' of the Second World War--and his Vietnam novel that was filmed as Go Tell the Spartans, starring Burt Lancaster. Most recently, he has turned to the invasion of Poland in 1939 by Germany and Soviet Russia. Most of his books and many shorter pieces are available for Amazon's Kindle ebook reader. He lives and works in New Hampshire.

Most helpful customer reviews

0 of 0 people found the following review helpful.
which means a great deal. He and the AVG
By Charles R. McCook
General Chennault is from Louisiana, which means a great deal. He and the AVG, proved the Washington group wrong, however, the credit was never given, to the group until many years later. In my opinion, it is called, politics! Each book that I read, I learn more about that brave group.

19 of 21 people found the following review helpful.
An Even-Handed Treatment of the AVG
By Roy Jaruk
Daniel Ford has done something that took more than a little moral courage. The American Volunteer Group, aka "The Flying Tigers," have acquired mythic status in the annals of American arms. Ford has gone back to the roots of the myth, to what actually happened; and written a compelling, if at times tedious, history of the Flying Tigers.
He has done an excellent job of placing them in the context of their times. He interviewed a number of surviving Tigers, including the lesser lights of the Group, and told the truth with at best only a little varnish. He provides the specifications of the aircraft used by both sides over China and Burma, and precisely details who was stationed where, when and with how many aircraft of what types, on both sides.
He gives a good look at the interactions between Chennault, Chiang, Madame Chiang, Stilwell and Bissell; and their patrons and enemies back in Washington. How the assorted feuds amongst the principals and their patrons affected the war in the air and on the ground has never been analyzed in quite this way before. One thing I like was that Ford presents the facts as he unearthed them, and leaves it to the reader to draw conclusions as to how things went wrong and what could have been done differently, and who could have done them differently.
Ford brings the myths crashing down in flames. But he then erects a new monument to a group of heroes, some of them reluctant and all with feet of clay, who did the impossible for the ungrateful with almost nothing at all. The reader will, I think, take away an even greater respect for the men (and women) of the American Volunteer Group than he brought to the book before reading.
This one belongs on the bookshelf of all who study World War II and how it brought about the world we live in today.

0 of 0 people found the following review helpful.
Five Stars
By chief594
one of the best written WWII books I have read and I have read a lot.

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Flying Tigers: Claire Chennault and His American Volunteers, 1941-1942, by Daniel Ford PDF
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^^ PDF Download Grandfather's Dance (Sarah, Plain and Tall), by Patricia MacLachlan

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Jack leans back on Grandfather's shoulder. Aunt Mattie's knitting needles click in the dark. The moon rises. The candle flickers in the gentle prairie wind. I close my eyes to keep everything there.

Could anything be more perfect than a prairie wedding? Cassie Witting doesn't think so, for her sister Anna's wedding brings two lovebirds together, aunts from faraway Maine, a long white dress with a wedding veil, dancing under a clear blue sky, and a world that smells of roses.

As the Witting family comes together for this most special day, Cassie sees that life brings the change of seasons, brother Jack on Grandfather's lap, joy, sorrow, and a special dance only Grandfather does.

• Sales Rank: #39594 in Books
• Brand: Harper Collins
• Published on: 2007-12-26
• Released on: 2007-12-26
• Original language: English
• Number of items: 1
• Dimensions: 7.63" h x .19" w x 5.13" l, .22 pounds
• Binding: Paperback
• 96 pages

From School Library Journal
Grade 3-6–This conclusion of the Sarah, Plain and Tall stories gathers the whole cast of characters for a prairie wedding. Changes in the family are reflected in the changing times; Papa goes to town to buy a car to transport his guests. Fourth-grade Cassie narrates the tale of welcoming the relatives and preparing the celebration for her sister, Anna. But her focus isn't on the bride and groom. Partly, she ponders why people would want to get married; her dream companion would be one of her dogs. She closely observes Grandfather and Jack, the oldest and youngest members of the family. Their special bond shows up in the way Jack talks, walks, and behaves like Grandfather. Cassie observes how Grandfather is preparing for death. Even the sad ending highlights the story's overall theme of family ties as they weave through generations. MacLachlan maneuvers the reminders of previous plots fairly gracefully, allowing the book to stand on its own. As before, her beautifully straightforward language reflects the manner of the hardworking people of the Great Plains. Although at a reading level for early chapter-book readers, this story's themes make it appropriate as well for upper elementary readers.–Pat Leach, Lincoln City Libraries, NE
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Gr. 4-6. A prairie wedding and then a funeral bring together extended family and friends in the fifth and final volume in the historical fiction series that started with the exquisite Newbery Medal Book Sarah Plain and Tall (1985). Once again, heartwarming is the word for the story, which is always true to a child's viewpoint. The narrator here is Sarah's daughter, Cassie, a fourth-grader in the prairie school of six pupils, and the core drama is the close, teasing bond between Cassie's little brother, Jack, and their stubborn, cranky grandfather, whose health is failing. For newcomers to the series, the large cast that gathers for the wedding may be hard to keep straight, but the plainspoken dialogue, especially between Grandfather and Jack, is elemental, and the warm, quiet story of love and grief will send readers back to the other books in the touching saga. Hazel Rochman
Copyright © American Library Association. All rights reserved

About the Author

Patricia MacLachlan is the celebrated author of many timeless books for young readers, including Sarah, Plain and Tall, winner of the Newbery Medal. Her novels for young readers include Arthur, For the Very First Time; The Facts and Fictions of Minna Pratt; Skylark; Caleb’s Story; More Perfect than the Moon; Grandfather’s Dance; Word After Word After Word; Kindred Souls; and The Truth of Me; she is also the author of countless beloved picture books, a number of which she cowrote with her daughter, Emily.

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0 of 0 people found the following review helpful.
Love and Loss
By Theodosia
Again, the author charms with her few words that carry so much meaning. An inter-generational story of love and loss.

11 of 11 people found the following review helpful.
Dance dance wherever you may be
By E. R. Bird
All right, class. Altogether now. How does one go about getting kids interested in historical fiction? Any ideas? I heard somebody mentioning starting the kids on that kind of thing early on. Very good! It's an easy enough task to read historical picture books to children before they can read on their own, certainly. Just load your bookshelves with some Patricia Polacco, some Patricia McKissack, and maybe a dash of Allan Say for good measure. The minute the children want to read their own books, however, you may find filling their historical fiction needs a bit trickier. If it isn't related to "The Time Warp Trio", parents often find their bookshelves sadly lacking in that whole early chapter book historical fiction genre. So what author exists to rescue you from this dire plight? Who else but Patricia MacLachlan, author of "Sarah, Plain and Tall"! The series that begin with this pleasantly slim novel has added yet another title to its mix. "Grandfather's Dance" follows the Witting family's adventures as everyone prepares for Anna, narrator of the first book, and her wedding.

Cassie is delighted. Her older sister Anna is getting married and everything in the home is far more exciting and unusual as a result. Usually Anna lives quietly with just her mother and father, her younger brother Jack, and their grandfather alongside the prairie. Now, however, three aunts are coming to stay, to say nothing of an uncle and a host of other relatives for the festivities. Alongside this large story comes the small tale of Jack's love for his grandfather and Cassie's love for the both of them. Grandfather knows that his time is coming soon, and when at last he dies Cassie must help Jack through his grief into acceptance. It will mean remembering the good things and accepting that sometimes people have to die. Fortunately for everyone, there are always our memories to help us cope.

For kids that may still be a bit too young for Laura Ingalls Wilder, or Louise Erdrich's "Birchbark House", MacLachlan's slim novels offer a tantalizing glimpse into another time and place without ever sacrificing keen writing or gripping storytelling in the interim. This is a rare and wonderful thing to find in any author, let alone one of early chapter books. "Grandfather's Dance" touches on new, slightly darker territory than its predecessors. For some children, this may be the first book they read that deals with a beloved relative's death. In this case, Grandfather's demise comes as only the slightest of shocks. MacLachlan knows how to ease a young reader into accepting this occurrence without sacrificing her story in the process.

Alongside the parallel storylines of Anna's wedding preparations and the relationship of Jack and his grandfather is a rather unique and interesting series of daydreams on Cassie's part. Early in the book the young girl comments that she didn't love anyone for marrying, except possibly the family dog. Then, spotted throughout the book, are small references to this marriage of girl and pup. "My husband dog licks my cheek and whispers, 'You have never been more beautiful. You're more beautiful than a pot roast'." This eventually culminates with a mock wedding between Cassie and her dog Nick, with her grandfather there to see it. As he himself points out, he may never make it to her real wedding, but he's happy to oversee this pretend one in the meantime. It's bizarre but oddly lovely and it adds weight to a narrative that could well have felt too insubstantial without it.

I know it's not this series's style, but I did find myself wishing that there had been small pencil drawings of some of the images in this book. Her aunt's flute. The wedding veil. The new car. Just little things that might have made the story that much more interesting and real. MacLachlan doesn't need illustrations, of course. Her writing stands up for itself. But sometimes it's nice for those kids who rely heavily on visual images to have something small to grasp onto.

Still, this quibble isn't even hardly worth mentioning. To tell it plain, the best way to describe "Grandfather's Dance" is to simply say, "Patricia MacLachlan has done it again", and to leave it at that. This is a more than worthy follow-up to the other books in the Witting series, and a delightful addition to any library or personal collection. Best of all, you needn't have read the previous books to get a lot out of this one. It would help, but it's certainly not a requirement. A wonderful tidy book.

4 of 4 people found the following review helpful.
A Beautiful Dance
By Christina Fixemer
Cassie Witting has a little brother named John Jacob Witting, but everyone calls him "Jack," and he calls himself "Doggie." In the months before a big wedding, Cassie watches the relationship between her little brother and their grandfather. She is alternately amused and annoyed by Jack's constant aping of Grandfather's speech and movements. So is Grandfather.

As the wedding draws near and relatives begin to arrive, everyone is caught up in the excitement. But Cassie is an observant youngster and records things about her brother and grandfather. She notices Grandfather's temper growing shorter, even as his love grows larger. Despite what she notes, Cassie is still a child, and there are things she isn't capable of seeing until too late.

In this sweet closing to a beloved series, a family's turning point takes place before a young girl's innocent eyes. Rather than dwelling on the sadness of a special person's passing, this story is a celebration of all he was to his family. This sharing of endearment and loss is lovingly written in a way fans of the series will cherish. Its gentle treatment of death will be especially soothing to children who have lost grandparents. The sadness really can be tempered by the wonderful memories created between family members.

Young, or not-so-young, fans of the "Sarah Plain and Tall" series will find a great deal to love about this book. It earns its place next to its predecessors.

Reviewed by Christina Wantz Fixemer

8/23/2006

4½-BALLOONS for WUAT Kids!; 5-STARS for Amazon

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> Download Ebook Accidentally on Purpose: The True Tale of a Happy Single Mother, by Mary F. Pols

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At thirty-nine, movie critic Mary Pols knew she wanted to have a baby. But never—not in a million years—on her own. When she finds herself unexpec­tedly expecting, she plunges into the greatest adventure of her life. With humor, insight, and compelling honesty, Pols reveals what it means to compromise in the name of love and to find joy in an accidental life, suddenly brimming with purpose.

• Sales Rank: #1631975 in Books
• Published on: 2009-05-05
• Released on: 2009-05-05
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .68" w x 5.31" l, .50 pounds
• Binding: Paperback
• 304 pages

From Publishers Weekly
First-time author Pols fashions an earnest, endearing memoir about how she hit her late 30s without a mate, but still managed to beat her biological clock. Finding herself pregnant at 39 after picking up a cute 29-year-old named Matt at a Bay Area bar, the author, the youngest of a large Catholic family from Maine, resolved to make a go at single motherhood. A successful film critic, if not exactly rich, she nonetheless figured out (with the help of her devoted circle of friends and family) a plan to live and raise the baby, including residing for a spell in a friend's trailer while pregnant. She barely knows her baby daddy, whom she portrays as sweet, if mostly directionless and unemployed. Her book good-naturedly traces some of the early hurdles of her experience, such as telling the Grinch (her father), finding out the sex of the baby and trying to sneak into a film screening with her infant. Candid and unaffected, Pols provides an important lesson about not being willing to compromise herself, and that being brave can bring the richest rewards. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“[Pols writes] with humor and grace. . . . It’s rare to find such honesty, even in an account so personal. Grade: A-” (Entertainment Weekly)

“Sharp, witty and slightly self-deprecating, she alternates clever, camera-ready one-liners with intense self-revelations about parents, children, love and family….” (San Francisco Chronicle)

“Ms. Pols is a charming and insightful storyteller, and her memoir is both engrossing and endearing ...” (New York Observer)

“Her writing is mesmerizing and lyrical. I laughed and cried and shook my head at some of her choices, but I rooted for her and her son the whole way.” (Minneapolis Star Tribune)

“Much as Pols’s story resembles the Judd Apatow movie, it is distinct in its heartfelt description of a woman who has come up against the edge of youth and expectation.” (Cookie Magazine)

“It’s funny, intimate, wise, and real, and we get to root for forty­something Mary, her twentysomething coparent, Matt, and their little son, Dolan, now four.” (Elle)

“Amid joy and heartbreak, Pols grows from a self-absorbed and judgmental whiner into a self-aware adult and loving mother. It’s her transformation that makes this memoir an unforgettable read.” (Diablo Magazine)

“Bay Area film critic Pols chronicles her unexpected pregnancy and journey into not-quite-single motherhood….A page-turner by someone who stopped waiting for Mr. Perfect.” (Kirkus Reviews)

“Candid and unaffected, Pols provides an important lesson about not being willing to compromise herself, and that being brave can bring the richest rewards.” (Publishers Weekly)

“… a well-written, emotionally honest memoir of Pols’ journey to motherhood and increased maturity…. She details with wit and humor her efforts to juggle her many challenges…” (BookPage)

“...far transcends its particulars...thoughtful, funny and sexy...a delightful meditation on partnership, desire, fulfillment...” (Peggy Orenstein, bestselling author of Schoolgirls and Waiting for Daisy)

“Astutely witty...will grip you to the very last page. This is a feminist tale for our age.” (Heidi Julavits, author of The Uses of Enchantment)

“... [A] touching, funny, and brutally honest story...[Pols] is opinionated, vulnerable, droll, tenacious, acerbic, loyal...real.” (Kate Moses, author of Because I Said So: 33 Mothers Write About Children, Sex, Men, Aging, Faith, Race & Themselves)

About the Author

Mary F. Pols is a longtime movie critic and freelance journalist based in northern California. She has written for the New York Times, Los Angeles Times, Self, and Gourmet, and her film criticism appears regularly online at MSN and Time. A former Knight Fellow at Stanford, she is an adjunct professor at the University of California, Berkeley.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Gave this book to my sister. I wanted her ...
By Loren L
Gave this book to my sister. I wanted her to feel confident that she didn't need to include her babies biological father in their lives, and that she could do it on her own if she wanted to.

36 of 40 people found the following review helpful.
With reservations...
By a lange
Though I really enjoyed this book for a variety of reasons, it concerns me that Pols was so ruthless and revealing about her relationship with her son's father. Although she certainly does not paint herself as the perfect mate or parent, she is not gracious about her son's father's (perceived) failings. I just thought it brutal, and more than a little indecorous to go into such detail about their sexual behavior and how he doesn't measure up in so many ways. How unkind a picture to bequeath her son! I think the rationale that it is for "art's sake" is thin, and symptomatic of our boundry-less popular culture. Sure, Pols is honest about her own warts, but that doesn't mitigate the cruel overexposure she has subjected her son and his father to.

That said, it is often funny and definitely a page-turner.

11 of 11 people found the following review helpful.
Single Dad Review
By Lynn Byrd Cpa
Mary Pols shares her unconventional life as a single mom, daughter, and journalist in this memoir. The book honestly addresses her relationship with her parents, her baby's daddy, and her movie critic career.

I often found myself being as critical of Mary Pols as she was of her baby's father, Matt. Ms. Pols consistently portrayed Matt as a young man who failed to grow emotionally and accept responsibility. Yet it was Ms. Pols who consciously or unconsciously made the decision to become a single mother ... accidently on purpose.

The story did get a little slow for me when Ms. Pols wrote of her relationship with her parents and their deaths. My interest was in the happy single mother not the unhappy daughter.

There were times I felt Ms. Pols was hesitant to share the details of her relationship with her son as well as the trials and rewards of motherhood. Unlike some of the reviews I have read, I do not believe Ms. Pols is completely forthcoming.

Overall, the book is very well written and mostly engaging. Now I'd like to hear from the single dad, Matt. Has he found the relationship and the situation rewarding? What is your take, Matt? It is your turn.

See all 53 customer reviews...

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! Free Ebook Paul Was Not a Christian: The Original Message of a Misunderstood Apostle, by Pamela Eisenbaum

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Pamela Eisenbaum, an expert on early Christianity, reveals the true nature of the historical Paul in Paul Was Not a Christian. She explores the idea of Paul not as the founder of a new Christian religion, but as a devout Jew who believed Jesus was the Christ who would unite Jews and Gentiles and fulfill God’s universal plan for humanity. Eisenbaum’s work in Paul Was Not a Christian  will have a profound impact on the way many Christians approach evangelism and how to better follow Jesus’s—and Paul’s—teachings on how to live faithfully today.

• Sales Rank: #579482 in Books
• Published on: 2010-09-07
• Released on: 2010-09-07
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .84" w x 6.00" l, .81 pounds
• Binding: Paperback
• 336 pages

Review
Eisenbaum shows the implausibility of the common interpretation of Paul that pits a Christian essence against a superficial or rejected Jewish hull. The book’s great accomplishment is to show us a historically plausible picture of a fully Jewish Paul who was also fully committed to Christ. (Dr. Stanley Stowers, Chair of Religious Studies, Brown University, and author of A Rereading of Romans: Justice, Jews and Gentiles)

Eisenbaum’s is one of a few important voices drawing our attention . . . to the continuing tensions and contradictions in Christian readings of Paul . . . This book does more than challenge and inform: it changes the way we think about Paul [and] the origins of Christian faith. (Neil Elliott, Author of Liberating Paul: The Justice of God and the Politics of the Apostle)

Pamela Eisenbaum’s Paul Was Not a Christian is a clear and effective presentation and extension of the view. . . that Paul remained fully identified with Judaism and the Torah throughout his life. . . It will repay careful reading by interested layfolk and by scholars as well. (Dr. Daniel Boyarin, Jewish Theological Seminary, UC Berkeley)

“Paul was not a Christian is well worth careful reading. It is a serious and very clear exposition of what changed and what stayed the same in Paul’s religious life. This book is very highly recommended to both scholars and laypersons as all will gain from it.” (Alan F. Segal, Professor of Religion and Jewish Studies Barnard College, Columbia University, Author of Paul the Convert)

“In this provocative book, biblical scholar Eisenbaum points out that the traditional Christian portrait of Paul as a former Jew . . . is a misreading of Paul’s life and religious work . . . Eisenbaum’s lively prose and meticulous scholarship provides a compelling new portrait of the apostle. ” (Publishers Weekly)

“Professor Eisenbaum offers the general reader the most realistic first-century portrayal of the Apostle Paul ever written.” (Jewish Book World)

“According to traditional teachings, Paul rejected his Judaism for the new, improved version: Christianity. Bible scholar Pamela Eisenbaum says this interpretation of Paul is not only wrong, it’s dangerous.” (Interfaith Voices)

From the Back Cover

The True Identity of the Bible's Most Divisive Apostle

Paul is not the founder of Christianity or a zealous convert from Judaism, as is often claimed. Nor did he contend that Jesus superseded the Torah. Paul, Eisenbaum persuasively argues, remained a devout Jew who believed Jesus would unite Jews and Gentiles and fulfill God's universal plan for humanity. Meticulously researched and far-reaching in its implications, this is a much-needed corrective to misconceptions held by Christians and Jews, liberals and conservatives, alike.

About the Author

Pamela Eisenbaum is the associate professor of biblical studies and Christian origins at Iliff School of Theology in Denver, Colorado. Eisenbaum is a national media expert on early Christianity and, as a practicing Jew teaching in a Christian seminary, has a unique perspective on the origins of Christianity.

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83 of 93 people found the following review helpful.
Paul Was Not A Christian
By Sherry M. Peyton
I'm deeply indebted to HarperOne, division of Harper Collins for providing this book, Paul Was Not a Christian: The Original Message of a Misunderstood Apostle, by Pamela Eisenbaum, for review.

Catchy title huh? It surely will cause most Christians to pause and pick it up. And pick it up they should. This is simply a new way (for most laypersons at least) of looking at Paul, apostle to the Gentiles, and commonly thought of as the major force in creating Christianity.

Pamela Eisenbaum, a practicing Jew, has all the credentials in the world, and teaches at a Iliff School of Theology in Denver. She is a biblical scholar with degrees from both Harvard Divinity and Columbia. She claims as mentor the acclaimed biblical expert Krister Stendahl.

Her premise here is a startling one for most Christians: Paul, far from renouncing his Jewish faith and "converting" as we are wont to believe on the road to Damascus, remained throughout his life a staunch Jew, follower of the Law. And, he preached the Lord Jesus Christ as savior. How can this be we ask?

Eisenbaum takes us through a long and detailed and clear explanation. Based on the work of what are known as the "new prospective" scholars and building upon that from the now "radical" new prospective scholars, Dr. Eisenbaum paints a convincing picture of Paul as a man thoroughly embedded in his Jewish heritage, and remaining in it to the end. Much of what has gone wrong in Pauline interpretation comes from reading him through a lens of "conversion," a conversion Eisenbaum claims never happened.

Most all scholars today would agree that Jesus certainly never set out to create a church. He if anything, wished to reform Judaism. Dr. Eisenbaum argues that essentially Paul did the same, and for somewhat the same reasons.

In making her case, reference is made to the authentic letters of Paul, those seven that all scholars agree were written by Paul--Romans, Corinthians I, II, Galatians, Philippians, I Thessalonians, and Philemon. The rest are almost universally or substantially agreed upon as not Pauline in authorship and thus not fruitful for this discussion. This is of course nothing new.

She then traces a history of Second Temple Judaism, the time that Paul was alive, and determines what assumptions would have been his based upon the current belief structure of Pharisees of his day. Contrary to public opinion, Pharisees were not so much sticklers for adherence to the Law as they interpreted it, but rather they often interpreted it in ways that were novel and supported present day problems. IN other words they were opportunists of a sort.

Eisenbaum indicates that independent records show that Jews of this period did not consider Gentiles "unclean" or people to be separated from. They were more tolerant that we might suppose. They believed that Gentiles could follow Torah and such people were known as proselytes.

Her argument is that Paul, steeped in Pharisaic belief of the apocalyptic end times, came to see in his Damascus experience, evidence that the end times were upon them. He viewed his experience as his call from God to take the message to the Gentiles, that Jesus by his faithfulness, had justified the Gentiles in the same way that Torah justified Jews in righteousness.

In other words, time was of the essence. Jews had imputed righteousness through the grace of God in giving them Torah, which, even if badly followed, gave them the way to atone for sins. The Gentiles, having no such covenant, and being outside the covenant, had no means of atonement for the sins that they had accumulated. Following Torah was not enough.

Jesus, by his faithful obedience to God, won for Gentiles (the nations of the world as it were), that righteousness, that Jews received by virtue of the covenant. This explains why Paul was so adamant that such things as circumcision and dietary laws need not apply to Gentiles.

What is of critical importance, is Eisenbaum's claim that Augustine, then Luther and so forth misread Paul, thinking he had condemned Torah as the way, and substituted Jesus as the only means of salvation. In this reading, then all Jews must one day convert to Christianity. This of course is the belief of many, (especially conservative) Christians today.

Eisenbaum makes clear that in order to read Paul correctly, one must keep in mind a number of things. First and foremost among them, is that at no time is Paul speaking to Jews. He is speaking only to Gentiles. Secondly Torah is for Jews, but sets a standard for all peoples.

Perhaps what will most alarm Christians is her claim that Paul did not see Jesus as God, but as God's son, the one sent. Moreover, she would claim that Paul did not call Gentiles to worship Jesus, but rather to have faithfulness as Jesus had faithfulness.

She bases this conclusion on a lengthy explanation of the phrase pistis iesou christou. Because Christians have so thoroughly seen Paul as "converting" they have almost always translated this as "faith in Jesus Christ" rather than what she contends is the accurate translation, "faith of Jesus Christ." Her claim is that Jesus expressed a faithfulness to God by his perfect obedience, and that Paul calls Gentiles to be "saved" by also following the lead of Jesus, and trying to imitate Jesus faithfulness.

Dr. Eisenbaum of course admits that even among radical new prospective scholars, there is still much argument. Her opinions and conclusions are not universally accepted. It is a new way of looking at Paul, and given Paul's general difficulties, there will be years of new exploration ahead.

But indeed, this work is a must reading for anyone who wishes to understand that there is much yet to do in unpacking Pauline theology. The test will be, does Eisenbaum's theory explain more satisfactorily than do previous paradigms. There have been, and perhaps always will be passages in Paul that are seemingly contradictory. This is in part the result that he no where sets out to put down his theology in any one place. We have letters, written over a fair stretch of time, often addressed to quite disparate problems. The theory that "solves" the most problems will be the one that finds most favor no doubt.

This is an important book in current biblical studies of Pauline theology. It is one that all, both scholars and laypersons can benefit from.

**As noted, this book was sent to me free of charge for purposes of review. No agreements as to contents of the review were discussed. The opinions here are strictly my own.

67 of 78 people found the following review helpful.
Great on Judaism, Wishful Thinking on Paul
By A Customer
This book offers a very accurate and extended portrait of Judaism in the first century-and one of the fullest to be found in a book about Paul. The book is valuable for that reason alone. It also presents a compelling portrait of Paul as a follower of Jesus who considered himself a Jew and who understood his mission to non-Jews as a vocation within his native Judaism, not a convert from one religion (Judaism) to another religion (Christianity). Clearly, Paul's essential theology and ethics are thoroughly Jewish, as is his interpretive approach to Jewish Scripture. For those who have never read a book on Paul before, it is important to know all this, even though it is not exactly breaking news.

When she discusses Jesus, however, Eisenbaum is way off the mark. On the one hand, Eisenbaum is certainly right that Paul's thought is theocentric, that Paul never calls Jesus "God," and that Pauline prayer language is addressed to God though Christ, with Jesus filling the role of mediator. One the other hand, Eisenbaum too facilely claims that Pauline veneration of Jesus in no way infringed on Jewish monotheism. It is very telling that when she discusses the "Christ hymn" in Philippians 2:6-11, she does not discuss verses 6-7, where Paul describes Christ as one who "was in the form of God" and "emptied himself, taking the form of a slave, being born in human likeness, and being found in human form." These lines picture Jesus as the human embodiment of a divine being. One can only conclude that Eisenbaum quietly passes over these verses because they are inconvenient for her Jewish reclamation of Paul.

Even more problematic is Eisenbaum's understanding of what Paul says in his letters about Christ in relation to the Torah and non-Christian Judaism. She is certainly right in emphasizing that Paul wrote his letters to Gentile followers of Jesus, not Jews or Jewish followers of Jesus, and that Paul evidently had no problem with Jews who followed Jesus as messiah and Lord continuing to observe Torah. This is old hat by now but still worth emphasizing. But she is clearly wrong in arguing that Paul envisioned two paths to salvation: Jesus for Gentiles, Torah for Jews. Though claiming to offer a "new" framework for understanding Paul, she is rehashing a view that has been around for decades in the work of scholars like Lloyd Gaston and John Gager.

Eisenbaum has to avoid major chunks of Paul's letters to make her case. She buries in a footnote a reference to 2 Corinthians 3. She writes, "Readers who know Paul's letters may be wondering about a passage in 2 Corinthians in which Paul seemingly [!] compares the `new covenant' to a `written code.' This is the only passage in the undisputed letters in which Paul seems [sic!] to disparage Torah. [Not true]. . . An extended discussion of this text is beyond the scope of this discussion [sic!] . . . . In actuality Paul is contrasting two modes of interpretation" (p. 284, n. 25). In 2 Corinthians 3 Paul speaks of the "old covenant" and calls it "the ministry/service (diakonia) of death" and "the ministry of condemnation." He contrasts "we" with "the people of Israel," who have been "hardened." "Indeed, to this very day, when they hear the reading of the old covenant, that same veil [that covered Moses' face "to keep the people of Israel from gazing at the end of the glory that was being set aside"] is still there, since only in Christ is it set aside, but when one turns to the Lord, the veil is removed." Jews who do not recognize Jesus as the inaugurator of a new covenant (not a new mode of Torah interpretation!) need to turn to the Lord--that's Paul.

More tellingly, there is no discussion of Romans 9-11 -- in a book all about Paul's relation to Judaism! In a few sentences at the very end of her monograph, she says in effect, "Gee, reader, I've run out of space to discuss Romans 9-11. Darn! Only another book could do justice to those chapters. Bye for now." I kid you not. Here is what she writes of this extended section of Romans: "One of the reasons I did not treat it in this book is because there are several good discussions of it already. Another is that it would require another book. For the sake of manageability, I have tried to stick with more narrowly defined units of text" (p. 251).

The problem at issue in Romans 9-11 is that Paul and others who follow Jesus have not succeeded in getting most Jews to join them. Paul attributes this to God's temporary "hardening" of Israel. "Gentiles, who did not pursue righteousness, have attained it, but Israel, which pursued righteousness with respect to the Law did not attain it. . . . Brothers, my heart's desire and prayer to God for them is that they may be saved. I can testify that they have a zeal for God, but it is not enlightened. For being ignorant of God's righteousness, and seeking to establish their own, they have not submitted to God's righteousness. For Christ is the telos (end/goal) of the Law so that there may be righteousness for everyone who has faith. . . . . Israel failed to attain what it was seeking. The elect obtained it, but the rest were hardened. . . . ." Etc.

Eisenbaum's work is a showcase example of the phenomenon known as wishful thinking. She is a Jewish New Testament scholar, and one of her implicit goals (perhaps her chief one) in this book is to make Paul palatable to Jews in our age of religious pluralism. (See the very last sentence of the book.) How I wish she were right about Paul! But it would be more honest to say "I think Paul was wrong" than to dodge every line in Paul letters which indicate that, for him, there is no membership in the covenant people of God, and no eschatological salvation for anyone, Jew or non-Jew, apart from Christ.

Daniel Harlow

91 of 109 people found the following review helpful.
Impressive and Slanted
By Raymond
This review is for Evangelical readers who want to learn more about the Jewish context of Jesus and of the first generation Church. Prof. Eisenbaum's book is well researched, tightly reasoned, well-written and in places thought-provoking. Her point that Paul did not stop being an observant Jew when he came to believe that Jesus is Messiah is well stated. She also calls to account interpretations of Paul that have led to antisemitism in the Church, and for that Christians should thank her. She dispels the misperception that Judaism is a faith of salvation by works but by the grace of God. I also admire her effort to find a Paul, whom she doesn't like at all points, but whom she can reconcile to as an observant Jew rather than the Paul who's the source of persecution of Jews throughout history.

However, here are just some examples of problems I have with the book:

1) She follows the typical contemporary pattern of choosing which books of the New Testament she allows to be "authentic", hurls around the "majority view" language, while ignoring that there are many fine scholars who would not lop off the Book of Acts and other Pauline epistles as authentic sources for Pauline studies. As has happened since the search for the historical Jesus started, people pick and choose from the canon and come up with a Jesus, and now a Paul, made in their own image rather than an historically convincing portrait.

2) Her impressive effort to deal with Paul's attitude toward Jesus the Lord just doesn't line up with important verses even in her canon within the canon. She says that Paul uses the term "Lord", simply to mean an exalted being rather than an equal with God. Yet, Philippians 2:6 refers to Jesus being in very nature God and equal to Him. She says that Paul is theocentric, but not Christo-centric, but again in Philippians Paul says that for him to live is Christ and that he has given up all to become like Christ. Her concern is to steer Paul away from the dangerous rocks of polytheism that the doctrine of the Trinity creates, but she created a Paul that doesn't line up with his writings. The Trinity continues to be a mysterious doctrine for Christians and an offensive one for Jews and Muslims.

3) She slaughters the true Reformed view of the faith vs. works issue. She says that, according to the Reformers, moral behavior is at least extraneous and even detrimental to salvation. The Reformers taught the entire counsel of Scripture, which clearly teaches repentance from sin as an expression of sincerity and gratitude for the salvation that is theirs through faith in the work of Christ on their behalf. One wonders how she can misread or misrepresent the Reformers so much on this point.

4) She makes a big point that Paul writes to Gentiles and thus all his anti-Torah talk is for them because they were never meant to observe Torah. According to Prof. Eisenbaum, Paul teaches that Jews continue to look to faithfulness to Torah for grace and Gentiles look to Jesus. This is perhaps the weakest point of the book. For example, Paul obviously addresses both communities when he says, "I am not ashamed of the Gospel, because it is the power for God for the salvation of everyone who believes: first for the Jew, then for the Gentile." (Romans 1:16, NIV) That's hardly a picture of Torah for Jews and Jesus for Gentiles. In the midst of this effort, she tries to strip Paul of the message of salvation from the wrath of God, and so tips her hand that she is driven by the modern ideology of universalism. Like it or not, that universalism is foreign to Paul, and she shouldn't try to use Paul to advocate her modern ideology.

5) I was disappointed that she didn't describe in more detail just what Paul's continued Jewish observances were. She spends her time dissecting Paul's doctrine expressed in seven of his letters so the book is very heavy in theological examination. That's certainly valuable, but I would vey much like to have heard more about what she thinks Paul's ongoing practice of Judaism entailed.

6) Finally, her final sentence makes it clear what her ultimate agenda is: religious pluralism. Unfortunately, her historical research seems to be a tool to advance her ideology rather than to present a truly accurate portrait of Paul.

All that being said, if you are interested in the Hebrew roots of the first generation of Christians, I encourage you to read this book. Prof. Eisenbaum's book is a valuable contribution to the effort to recover the Jewishness of the first century Christians. She reminds us of information that we should already have firmly in mind and she challenges us to think about some other issues. That process is valuable, and, while in the end her portrait of Paul is unconvincing, nevertheless I'm a better student of the New Testament for it. Thanks, Prof. Eisenbaum, for a provocative read.

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~~ Ebook Download The Red Leather Diary: Reclaiming a Life through the Pages of a Lost Journal, by Lily Koppel

Ebook Download The Red Leather Diary: Reclaiming a Life through the Pages of a Lost Journal, by Lily Koppel

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For more than half a century, the red leather diary languished inside a steamer trunk. Rescued from a Dumpster on Manhattan's Upper West Side, it found its way to Lily Koppel, a young writer, who opened its tarnished brass lock and journeyed into an enthralling past. The diary painted a breathtaking portrait of a bygone New York—of glamorous nights at El Morocco and elegant teas at Schrafft's during the 1920s and '30s—and of the headstrong, endearing teenager who filled its pages with her hopes, heartaches, and vivid recollections. Intrigued, Koppel followed her only clue, a frontispiece inscription, to its now ninety-year-old owner, Florence Wolfson, and was enchanted as Florence, reunited with her diary, rediscovered a lost younger self burning with artistic fervor.

Joining intimate interviews with original diary entries, The Red Leather Diary re-creates the romance and promise of a remarkable era and brings to life the true story of a daring, precocious young dreamer.

• Sales Rank: #1077724 in Books
• Brand: Harper
• Published on: 2008-04-08
• Released on: 2008-04-08
• Format: Deckle Edge
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.09" w x 5.13" l, 8300.00 pounds
• Binding: Hardcover
• 336 pages

Features

• Great product!

From Publishers Weekly
Journalist Koppel found the inspiration for this book, based on her 2006 New York Times article, after discovering Florence Wolfson’s diary in a Manhattan dumpster. Koppel eventually locates Florence in Florida and surprises the 90-year-old with this artifact from her past, which reveals her views on growing up as an intelligent, ambitious and creative teenager on the Upper West Side of Manhattan in the 1930s. Florence received the diary as a present on her 14th birthday. She recorded everything from her first kiss (with a boy) to her crush on actress Eva Le Galliene (which led her to question her sexuality) to her passion for writing and art. The diary acts as a window into a fascinating and privileged world, one that Koppel tries to recreate by writing in a novelistic way, using no more than snippets of text from Florence’s diary and, we can presume, multiple interviews as support. The result, which some readers may find frustrating and others rewarding, is that the original inspiration—the diary itself—becomes no more than a starting point for a much larger story: that of Florence’s life.

From Booklist
In 2003, Koppel, a novice writer for the New York Times, stumbled upon an amazing discovery: the decades-old diary of a privileged teenaged Manhattanite penned between 1929 and 1934. Fascinated by entries detailing theater expeditions, shopping sprees, love interests, and grand ambitions, she put her journalistic skills to good use, tracking down the original owner of this faded and cracked red-leather treasure. Elated to discover 90-year-old Florence Wolfson alive, alert, and eager to share her memories of a bygone time and place, Koppel began interviewing Florence, interweaving the brief diary entries with more detailed personal anecdotes infused with the type of glamour and sophistication associated with a 1930s romantic comedy. After a front-page story appeared in the New York Times Sunday City section, interest in Florence’s fascinating story prompted the author to write a full-length book that works as both a biography and a spellbinding glimpse into a vanished era. --Margaret Flanagan

Review
“Skillful reporting, fine prose and [an] excellent eye for period detail. . . . A story about not one but two lovable characters—and the city that brought them together.” (New York Times Book Review)

“Florence’s life reads like E.L. Doctorow’s Ragtime in places, with all the famous paths crossed and situations experienced; while descriptions of city life recall Marjorie Hart’s Summer at Tiffany... Together, Koppel and Florence take readers through a world dizzy with new ideas, rhythms and inventions.” (BookPage)

“After a front-page story appeared in the New York Times Sunday City section, interest in Florence’s fascinating story prompted the author to write a full-length book that works as both a biography and a spellbinding glimpse into a vanished era.” (Booklist)

“Koppel’s love of New York is obvious in the details she draws from Florence’s diary, which show how the city has changed in ways both big and small. An entertaining and enjoyable work.” (Library Journal)

“In The Red Leather Diary, Lily Koppel finds an old journal in a Dumpster, gets lost in its rich take on 1930s New York and, improbably, tracks down the now-90-year-old woman whose life—real and imagined—fills its worn pages.” (Reader's Digest (Editors' Choice))

“New York Times writer Lily Koppel’s The Red Leather Diary melds three life-affirming subjects—Florence Wolfson’s journal of life in 1930s Manhattan, Koppel’s discovery of it in a Dumpster decades later, and the meeting of the two women—into one enchanting memoir.” (Elle)

“Sparked by a felicitous discovery in an Upper West Side dumpster, New York Times writer Lily Koppel spins an enthralling true fairy tale about a Depression-era ingénue.” (Vogue)

“A window into a fascinating and privileged world. . . . Rewarding.” (Publishers Weekly)

“THE RED LEATHER DIARY is a fascinating book—inventive and inspiring.” (Erica Jong, #1 New York Times bestselling author of Fear of Flying)

Most helpful customer reviews

64 of 68 people found the following review helpful.
Disappointing
By Terry
The premise was interesting but the execution poor. There is much information but little life in the telling of Frances' story. Confoundedly uneven: for example, dwells at length on her superficial teenage lesbian affairs, but glosses over the details of the romance with the love of her life. No drama, no introspection, no examination of why or how things happened. Most annoying, however, was Lily Koppel's self-conscious intrusion into the story, reminding us repeatedly about her role in bringing the diary to the world's attention. As if telling the world that she's done so might give her some unearned gravitas, an understanding of what it all means, or at least fool the reader into overlooking her artless, simplistic style. Was especially annoyed with her attempts at impressing the reader with her glamorous-but-shallow writing assignments that had nothing to do with the story. Had a hard time getting through the whole book.

95 of 109 people found the following review helpful.
I'm mixed about this one...
By Ellis Bell
In 2003, a young journalist for the New York Times named Lily Koppel discovers the diary of Florence Wolfson, age 14, in a discarded steamer trunk on the Upper West Side. Investigation leads her to find out that Florence is still living. Upon visiting the 90-year-old, Florence tells Lily her story, of growing up in New York in the 192os and `30s. Florence grew up in an affluent Jewish family, and kept the diary for five years, from age 14 to 19. She was an active writer and artist. Florence attended a private girls' school and then Hunter College (then all women and now co-ed and part of the CUNY system), where she was active in the college literary magazine. Along the way she experimented with same-sex relationships and agonized over the behavior of boys, eventually marrying a childhood friend.

It seems like your typical coming-of-age story, except for the fact that Florence's is very much of the place and era she grew up in. Little facts about New York City are revealed: for example, for thirty years, there were little statues of Mercury mounted on top of all the stoplights in the city. That was one of the biggest draws of this book. Florence had a pretty average New York City childhood, all things considered; and adding in those little bits of arcane trivia really spiced things up for me.

There were a couple of problems I had with this book: first, Koppel spends an inordinate amount of time bragging about her accomplishments. The story is ultimately Florence's, and Lily talking about, say, a story she did once detracts from that. Koppel's prose seemed a little bit purpled and hackneyed; she also tries to make generalizations about the New York of today that ultimately don't ring true. Also, I thought the book would have been better if Florence had actually written it herself. She's a writer, so why not?

0 of 0 people found the following review helpful.
A good story but a little repetitive
By TurkWink
Although I enjoyed this book, I feel like it could have been done with far fewer pages. Although the content was rich in detail, the storyline was a bit choppy and redundant, as if the reader did not have a memory and had to be reminded quite often. Also lacked the flow of a good novelist, written more like the journalist the author is. A good story and interesting characters. I will recommend this to people who like history and easy reading.

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