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!! Free Ebook On Time and Being, by Martin Heidegger

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On Time and Being, by Martin Heidegger

On Time and Being charts the so-called "turn" in Martin Heidegger's philosophy away from his earlier metaphysics in Being and Time to his later thoughts after "the end of philosophy." The title lecture, "Time and Being," shows how Heidegger reconceived both "Being" and "time," introducing the new concept of "the event of Appropriation" to help give his metaphysical ideas nonmetaphysical meanings. On Time and Being also contains a summary of six seminar sessions that Heidegger conducted on "Time and Being," a lecture called "The End of Philosophy and the Task of Thinking," and an autobiographical sketch of Heidegger's intellectual history in "My Way of Phenomenology."


  • Sales Rank: #1343526 in Books
  • Published on: 1977-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 5.25" w x .25" l,
  • Binding: Paperback
  • 84 pages

Review
"The title of the English translation is that of the lead essay, the highly celebrated lecture which Heidegger gave in 1962 and which bears the same title as the never published 'third division' of the 'first half' of Being and Time. This lecture is perhaps the most significant document to be added to the Heideggerian corpus since the Letter on Humanism....Stambaugh's translation is superb." - Stanley O. Hoerr and Staff, The Review of Metaphysics "This collection may well vie with Vom Wesen des Grundes and Identitat und Differenz as definitive statements of Heidegger's ontology." - Library Journal

Language Notes
Text: English, German (translation)

From the Inside Flap
On Time and Being consists of not only the titular lecture, "Time and Being," but also a summary of six seminar sessions that Heidegger conducted on it, a lecture called "The End of Philosophy and the Task of Thinking," and an autobiographical sketch of Heidegger's intellectual history in "My Way of Phenomenology." This volume charts the so-called "turn" in Heidegger's philosophy away from his earlier metaphysics in Being and Time and toward his later thoughts after "the end of philosophy." The title lecture in particular shows us how he reconceived both "Being" and "time," introducing the new concept of "the event of Appropriation" to help give his metaphysical ideas nonmetaphysical meanings.

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1 of 1 people found the following review helpful.
A COLLECTION CONTAINING TWO LECTURES, AND OTHER MATERIAL
By Steven H Propp
Martin Heidegger (1889-1976) was an influential and controversial German philosopher, primarily concerned with Being, and phenomenology---who was widely (perhaps incorrectly) also perceived as an Existentialist. His relationship with the Nazi party in Germany has been the subject of widespread controversy and debate [e.g., Heidegger and Nazism, Heidegger and the Nazis, Heidegger's Crisis: Philosophy and Politics in Nazi Germany, Heidegger and the Question of National Socialism, etc.] He wrote many other books, such as Being and Time, Introduction to Metaphysics, Basic Writings, Nietzsche, Vol. 1: The Will to Power as Art, Vol. 2: The Eternal Recurrence of the Same, Nietzsche: Vol. 3: The Will to Power as Knowledge and as Metaphysics; Vol. 4: Nihilism, The Question Concerning Technology, etc.

The translator said in the Introduction, “‘On Time and Being’ contains Heidegger’s lecture on ‘Time and Being’ together with a summary of six seminar sessions on that lecture---a lecture on ‘The End of Philosophy and the Task of Thinking,’ and a short retrospective piece on Heidegger’s relation to phenomenology.”

Heidegger says in the first lecture, “What prompts us to name time and Being together? From the dawn of Western-European thinking until today, Being means the same as presencing. Presencing, presence speaks of the present. According to current representations, the present, together with past and future, forms the character of time. Being is determined by presence as time… But is Being a thing? Is Being like an actual being in time? IS Being at all? If it were, then we would incontestably discover it as such among other beings. This lecture hall IS… We recognize the illuminated lecture hall at once and with no reservations as something that is. But where in the whole lecture hall do we find the ‘is’? … Every thing has its time. But Being is not a thing, is not in time … Being is not a thing, thus nothing temporal, and yet it is determined by time as presence. Time is not a thing, thus nothing which is, and yet it remains constant in its passing away without being something temporal like the beings in time.” (Pg. 2-3)

He goes on, “Anything of which we can say ‘it is’ is thereby represented as a being. But Being is not a being. Thus the ‘esti’ that is emphasized in Parmenides’ saying cannot represent the Being which it names as some kind of a being… we can paraphrase [esti] by: ‘It is capable.’ However, the meaning of this capability remained just as unthought, then and afterward, as the ‘It’ which is capable of Being. To be capable of Being means: to yield and give Being. In the ‘esti’ there is concealed the It gives.” (Pg. 8)

He says, “Insofar as there is manifest in Being as presence such a thing as time, the supposition mentioned earlier grows stronger that true time, the fourfold extending of the open, could be discovered as the ‘It’ that gives Being, i.e., gives presence. The supposition appears to be fully confirmed when we note that absence, too, manifests itself as a mode of presence. What has-been which, by refusing the present, lets that become present which is no longer present, and the coming toward us of what is to come which, by withholding the present, lets that be present which is not yet present---both made manifest the manner of an extending opening up which gives all presencing into the open. Thus true time appears as the ‘It’ of which we speak when we say: it gives Being. The destiny in which It gives Being lies in the extending of time.” (Pg. 17)

He suggests, “Insofar as the destiny of Being lies in the extending of time, and time, together with Being, lies in Appropriation, Appropriating makes manifest its peculiar property, that Appropriation withdraws what is most fully its own from boundless unconcealment. Thought in terms of Appropriating, this means: in the sense it expropriates itself of itself. Expropriation belongs to Appropriation as such. By this expropriation, Appropriation does not abandon itself---rather, it preserves what is its own.” (Pg. 22-23)

In the second lecture, he observes, “Philosophy is metaphysics. Metaphysics things being as a whole---the world, man, God---with respect to Being, with respect to the belonging together of beings in Being. Metaphysics thinks beings as being in the manner of representational thinking which gives reasons. For since the beginning of philosophy and with that beginning, the Being of beings has showed itself as the ground. The ground is from where beings as such are what they are in their becoming, perishing and persisting as something that can be known, handled, and worked upon. As the ground, Being brings beings to their actual presencing. The ground shows itself as presence.” (Pg. 55-56)

He states, “All philosophical thinking which explicitly or inexplicably follows the call ‘to the thing itself’ is already admitted to the free space of the opening in its movement and with its method. But philosophy knows nothing of the opening. Philosophy does speak about the light of reason, but does not heed the opening of Being. The … light of reason, throws light only on openness. It does concern the opening, but so little does it form it that it needs it in order to be able to illuminate what is present in the opening. This is true not only of the philosopher’s METHOD, but also and primarily of its MATTER, that is, of the presence of what is present.” (Pg. 66)

This small book will be of keen interest to those studying Heidegger and the development of his thought.

4 of 4 people found the following review helpful.
A promise rather than a product
By Rex Styzens
After I finished this volume, I was so enthusiastic that I ordered Joan Stambaugh's The Finitude of Being (SUNY Series in Contemporary Continental Philosophy), as fine a commentary on MH's lifework as I know. I am taking a bit of a break from that study and so ended up here.

I am not a philosopher, although I have an MA in it. At this point my current estimate is that, if one wishes to understand MH's career achievements, then On Time and Being and The Finitude of Being, especially together, are the most helpful for non-academics. (Warning: they are not easy. They are intense. They depend on a prior half-century of exacting study and writing by MH. They can turn your head around as they have mine. They represent another way of thinking about the meaning of human life, although Stambaugh finds parallels in certain forms of Buddhism.)

The previous 5-star review here is a helpful introduction to some of the issues that MH wrestled with during his very long and productive career as a scholar. The character of this particular book has been described as providing what was promised by MH's admission that Being and Time was unfinished. That is, he originally saw the need to repeat his analysis from the point of view of time rather than from Being. Only some 35 years later, did he finally get to it.

So if you want to know where MH comes out near the end of his lifetime study, this volume provides a good perspective. As does Stambaugh's book referred to above. These works have had a growing influence whose endurance cannot be underestimated. If you want to know what our great great grandchildren interested in philosophy will be talking about, read these books.

2 of 2 people found the following review helpful.
The Event
By Steiner
An extremely demanding late lecture from Martin Heidegger, which was greeted with enormous enthusiasm. This is a radical transformation of Heidegger's project of ontology, in which the question of Being has been freed from the (perceived) subjective/interiority of Dasein. This is the Heidegger of the event (Ereignis) of propriation, which concerns a more primordial happening of Being. This lecture among Heidegger's most difficult and mysterious texts, and it cannot be comprehended without thorough study of the early Heidegger. Also included is the End of Philosophy and the Task of Thinking.

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Sabtu, 30 Mei 2015

** Ebook Merry Christmas, Mouse! (If You Give...), by Laura Numeroff

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Join Mouse from If You Give a Mouse a Cookie as he decorates his Christmas tree in a holiday counting adventure.

  • Sales Rank: #68204 in Books
  • Brand: Harper Collins
  • Published on: 2007-09-25
  • Released on: 2007-09-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x 6.50" w x .50" l, .50 pounds
  • Binding: Board book
  • 24 pages
Features
  • Great product!

About the Author

Laura Numeroff is the New York Times bestselling author of many books for young readers in addition to the If You Give…series, including The Chicken Sisters and Laura Numeroff’s 10-Step Guide to Living with Your Monster. She lives in Los Angeles, California, and is involved with several children’s charities, including First Book. You can visit her online at www.lauranumeroff.com.



Felicia Bond is both writer and illustrator of Tumble Bumble, The Day It Rained Hearts, the Poinsettia books, and many others. She painted the art for numerous other award-winning books, including those in the much loved If You Give . . . series and the contemporary classic Big Red Barn. She lived for many years in New York and currently lives in Santa Fe, New Mexico.

 

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45 of 48 people found the following review helpful.
Not What I Expected
By C. McClaine
I thought this would be a story line similar to "If you give a mouse a cookie" but, it wasn't that at all. There is no story at all. It's just each page counting from 1-10 with that number of objects on each page. This is my favorite author of all times but this book REALLY fell short!

24 of 25 people found the following review helpful.
Not what I was expecting
By T. Gorman
If you love the "If you give a mouse a cookie" books - this is not it! It is pretty much a very simple counting book. Not what I was hoping to show my 4 and 5 year olds. It is not very long and the pages are very sturdy, so it would be great for a toddler. My boys were not that impressed with it and neither was I.

19 of 20 people found the following review helpful.
Very disappointing
By Jacie Fields
We love the "If you give" books and thought this would be a great addition to our library. I was very disappointed when it arrived and I went to read it to my kids. There isn't a story. It's just very few words per page and a very basic counting book. Would not recommend it in the future.

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# PDF Download Capitalism, Socialism, and Democracy, by Joseph A. Schumpeter

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Capitalism, Socialism, and Democracy, by Joseph A. Schumpeter

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

  • Sales Rank: #348649 in Books
  • Published on: 1962-12-11
  • Released on: 1962-12-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.01" w x 5.31" l,
  • Binding: Paperback
  • 431 pages

Review
“The 20th century’s foremost economist.” (Steve Forbes, Forbes)

“The most influential economist of the 20th century.” (Peter Drucker, Fortune)

“The great economist Joseph Schumpeter highlighted the role of innovation in powering the rise of new industries, the creative destruction of existing ones, and the growth in prosperity of economies.” (Richard Florida, Atlantic)

“Schumpeter gave us stunning insights into how the world really works. We are now living, it is said, in the Age of Schumpeter. . . . Schumpeter was a powerful prophet, and he now offers dazzling insights into everything from the rise of Wal-Mart to prosperity’s discontents.” (Robert J. Samuelson, Newsweek)

“The greatest defense of capitalist, European civilization ever penned. . . . Schumpeter did more than anyone to persuade American leaders to preserve the capitalist system” (American Conservative)

“Schumpeter may well be the most important economist of the 21st century.” (J. Bradford DeLong, Chronicle of Higher Education)

“Schumpeter was the most farsighted of twentieth-century economists. His focus on capitalism and creative destruction made him the prophet of globalization.” (The Nation)

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

Marx The Prophet

It was not by a slip that an analogy from the world of religion was I permitted to intrude into the title of this chapter. There is more than analogy. In one important sense, Marxism is a religion. To the believer it presents, first, a system of ultimate ends that embody the meaning of life and are absolute standards by which to judge events and actions; and, secondly, a guide to those ends which implies a plan of salvation and the indication of the evil from which mankind, or a chosen section of mankind, is to be saved. We may specify still further: Marxist socialism also belongs to that subgroup which promises paradise on this side of the grave. I believe that a formulation of these characteristics by an hierologist would give opportunities for classification and comment which might possibly lead much deeper into the sociological essence of Marxism than anything a mere economist can say.

The least important point about this is that it explains the success of Marxism. Purely scientific achievement, had it even been much more perfect than it was in the case of Marx, would never have won the immortality in the historical sense which is his. Nor would his arsenal of party slogans have done it. Part of his success, although a very minor part, is indeed attributable to the barrelful of white-hot phrases, of impassioned accusations and wrathful gesticulations, ready for use on any platform, that he put at the disposal of his flock. All that needs to be said about this aspect of the matter is that this ammunition has served and is serving its purpose very well, but that the production of it carried a disadvantage: in order to forge such weapons for the arena of social strife Marx had occasionally to bend, or to deviate from, the opinions that would logically follow from his system. However, if Marx had not been more than a purveyor of phraseology, he would be dead by now. Mankind is not grateful for that sort of service and forgets quickly the names of the people who write the librettos for its political operas.

But he was a prophet, and in order to understand the nature of this achievement we must visualize it in the setting of his own time. It was the zenith of bourgeois realization and the nadir of bourgeois civilization, the time of mechanistic materialism, of a cultural milieu which had as yet betrayed no sign that a new art and a new mode of life were in its womb, and which rioted in most repulsive banality. Faith in any real sense was rapidly falling away from all classes of society, and with it the only ray of light (apart from what may have been derived from Rochdale attitudes and saving banks) died from the workman's world, while intellectuals professed themselves highly satisfied with Mill's Logic and the Poor Law.

Now, to millions of human hearts the Marxian message of the terrestrial paradise of socialism meant a new ray of light and a new meaning of life. Call Marxist religion a counterfeit if you like, or a caricature of faith--there is plenty to be said for this view--but do not overlook or fail to admire the greatness of the achievement. Never mind that nearly all of those millions were unable to understand and appreciate the message in its true significance. That is the fate of all messages. The important thing is that the message was framed and conveyed in such a way as to be acceptable to the positivistic mind of its time--which was essentially bourgeois no doubt, but there is no paradox in saying that Marxism is essentially a product of the bourgeois mind. This was done, on the one hand, by formulating with unsurpassed force that feeling of being thwarted and ill treated which is the auto-therapeutic attitude of the unsuccessful many, and, on the other hand, by proclaiming that socialistic deliverance from those ills was a certainty amenable to rational proof.

Observe how supreme art here succeeds in weaving together those extra-rational cravings which receding religion had left running about like masterless dogs, and the rationalistic and materialistic tendencies of the time ineluctable for the moment, which would not tolerate any creed that had no scientific or pseudo-scientific connotation. Preaching the goal would have been ineffectual; analyzing a social process would have interested only a few hundred specialists. But preaching in the garb of analysis and analyzing with a view to heartfelt needs, this is what conquered passionate allegiance and gave to the Marxist that supreme boon which consists in the conviction that what one is and stands for can never be defeated but must conquer victoriously in the end. This, of course, does not exhaust the achievement. Personal force and the flash of prophecy work independently of the contents of the creed. No new life and no new meaning of life can be effectively revealed without. But this does not concern us here.

Something will have to be said about the cogency and correctness of Marx's attempt to prove the inevitability of the socialist goal. One remark, however, suffices as to what has been called above his formulation of the feelings of the unsuccessful many. It was, of course, not a true formulation of actual feelings, conscious or subconscious. Rather we could call it an attempt at replacing actual feelings by a true or false revelation of the logic of social evolution. By doing this and by at tributing--quite unrealistically--to the masses his own shibboleth of "class consciousness," he undoubtedly falsified the true psychology of the workman (which centers in the wish to become a small bourgeois and to be helped to that status by political force), but in so far as his teaching took effect he also expanded and ennobled it. He did not weep any sentimental tears about the beauty of the socialist idea.

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0 of 0 people found the following review helpful.
Five Stars
By Adoracion
Timely book, although written decades ago.

19 of 23 people found the following review helpful.
Wrong conclusion, but all the same ...
By B. Alcat
In this book, first published in 1942, Joseph A. Schumpeter reached the conclusion that capitalism wouldn't be able to survive, due to diverse characteristics that were intrinsic to it. For example, he thought that monopolistic practices would only increase with time, thus damaging the capitalist process and not allowing it to function smoothly.

Obviously, by now we have realized that his conclusion was inexact, but that doesn't mean that we should overlook *Capitalism, Socialism, and Democracy*. Schumpeter's analysis of capitalism and socialism, his concept of *creative destruction* and his economic definition of democracy are only some of the things included in this book that should be taken into account. Perhaps reality didn't end up matching the premises the author adhered to, but all the same we are likely to learn a lot from the valid points he makes along the way.

Schumpeter's draws the arguments to support his ideas from different fields: Economy, Sociology, History, and even (sometimes) Psychology. Because of that his premises don't tend to be unidimensional, but rather take into account the different facets of reality. As a result, this book is much more interesting to read, even though it might seem somehow difficult at first to many readers.

The interesting ideas in *Capitalism, Socialism, and Democracy* are many, and I can't tell you about all of them without making this review impossibly long. Despite that, I can tell you at least something regarding the notions that I consider more interesting, for example the well-explained notion that *creative destruction* is the essence of capitalism. Also, I think that it is worthwhile to highlight Schumpeter's economic definition of the democratic method, as an *institutional arrangement for arriving at political decisions in which individuals acquire the power to decide by means of a competitive struggle for the people's vote*.

On the whole, I think you will enormously appreciate this landmark book, if you enjoy a good and careful analysis and aren't easily scared by books that at first glance seem too difficult. Provided you persist, you will realize that this book is as easy to tackle as many others... The only difference is that after reading *Capitalism, Socialism, and Democracy* you will know a lot more, something that not so many other books can offer :)

Belen Alcat

39 of 45 people found the following review helpful.
1940s economist has a new day in the sun in 2001
By Max More
This classic book by economist Joseph Schumpeter originally came out in three editions in 1942, 1945, and 1950. The current 1984 edition begins with a helpful introduction by Tom Bottomore. The entire book is well worth reading if you have the time for some substantial thinking about economics, politics, and history on a grand scale. However, Schumpeter's half-century old tome has recently come back into vogue as everyone is picking up his term "creative destruction". Schumpeter, coming from the Austrian school of economics, focused on processes rather than states, making his thinking different from that of other economists of his time and for decades after. His notion of creative destruction perfectly fits as a description of what is happening in the new economy, as new technologies and business models and architectures are simultaneously destroying old sources of value while creating new opportunities for profit.

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Jumat, 29 Mei 2015

> Download Ebook Mistress of the Vatican: The True Story of Olimpia Maidalchini: The Secret Female Pope, by Eleanor Herman

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Mistress of the Vatican: The True Story of Olimpia Maidalchini: The Secret Female Pope, by Eleanor Herman

Eleanor Herman, the talented author of the New York Times bestselling Sex with Kings and Sex with the Queen goes behind the sacred doors of the Catholic Church in Mistress of the Vatican, a scintillating biography of a powerful yet little-known woman whose remarkable story is ripe with secrets, sex, passion, and ambition. For almost four centuries this astonishing story of a woman’s absolute power over the Vatican has been successfully buried—until now.

  • Sales Rank: #866666 in Books
  • Brand: Herman, Eleanor
  • Published on: 2009-09-08
  • Released on: 2009-09-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.12" w x 5.31" l, .79 pounds
  • Binding: Paperback
  • 496 pages

From Publishers Weekly
Starred Review. In this engrossing "forgotten story" of the Vatican, Herman (Sex with the Queen) relays not only the life of 17th Cenutry Papal puppet-master Olimpia Maidalchini, but the political and social history of her age, including glimpses of art and architecture, family relations, medical care, religious traditions and daily life. Born into a family of average means, Maidalchini rebelled successfully against her father's plans to place her in a convent. This early triumph gave her a will that she'd eventually use to grab the ultimate seat of power in 17th century Italy, the Papacy, through the likely accomplice of her indecisive brother-in-law, a lawyer with holy orders who was dazzled by Maidalchini's intelligence, planning and accounting capabilities. He submitted to the her plans, and she eventually ushered him into power as Pope Innocent X. As her wealth and strength grow, so does the resentment around her, but her fate would be sealed by the bubonic plague. Exhaustively researched, with historical vignettes interwoven seamlessly, Herman's latest provides a window into an age of empire, nepotism and intrigue that rivals any novel for fascinating reading.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“...immensely readable and compelling...An expert on—and descendant of—European royal families, she skillfully uses letters, diaries, newssheets of the time, and biographies to tell this personal tale, set during unforgiving times. Highly recommended for public and academic libraries.” (Kirkus Reviews)

Review
"...immensely readable and compelling...An expert on-and descendant of-European royal families, she skillfully uses letters, diaries, newssheets of the time, and biographies to tell this personal tale, set during unforgiving times. Highly recommended for public and academic libraries." (Kirkus Reviews )

Most helpful customer reviews

39 of 43 people found the following review helpful.
A Woman at the Pinnacle of Power
By Timothy Haugh
In her biography of Olimpia Maidalchini, Ms. Herman refers to her as "the secret female pope." This is a line meant to provoke and it does its job. Frankly, however, it is a bit of a stretch considering Ms. Herman's own descriptions of Olimpia's exile and near-catastrophic over-reaching. And let's not forget the fact that Olimpia's power was no secret. Still, given the Catholic Church's history of patriarchy and often sinful misogyny, it is wonderful to have reminders of the fact that, throughout its history, women have played important roles and wielded great power in the Church.

In some ways, Olimpia's story is a great one for any age: a young woman defies the odds and works her way up to the pinnacles of power and wealth in her society. The fact that she does so in the Papal States of the seventeenth century when women were often less than second-class citizens is all the more impressive. Of course, Olimpia is no saint--but few were in Rome at the time--and her path to power is paved with the bodies of those who stood in her way, but it is a fascinating story nonetheless.

Nearly forced into a convent by her father, she ends up marrying above her station in her native Viterbo. Soon after, she marries Pamphilio Pamphili, a nobleman of Rome and begins her quest for power there. She ultimately achieves this through her brother-in-law, Gianbattista Pamphili. Likely his mistress, she guides the shy canon into the intrigues of Vatican politics, to a cardinal's hat, and, ultimately, to elevation as Pope Innocent X. Through her vacillating lover, she controls everything from the purse-strings to cardinal appointments. At times, she truly did wield the power of the papacy and people knew it; at least, when she wasn't in disfavor with the pope. Like anyone, she wasn't perfect holding the reins of power and ran into some problems.

Most of her problems came from her own mistakes and Ms. Herman is fair in describing Olimpia's weaknesses. Her greed and vengefulness are on display, though Ms. Herman sometimes seems tolerant of these short-comings. True, these were common failing in Rome at the time and, in some cases, would have been winked at in men. But that doesn't make them right. But it is fair to say that Olimpia generally knew how to play the game well and she couldn't have achieved what she did without being ruthless.

All in all, this is a very well-written book about an amazing woman. Ms. Herman takes us right into the world of Rome in the seventeenth century. My brief description here does not do justice to the intricacy with which Ms. Herman brings things to life. And, in giving us Olimpia's story, she does more: she shows us how the Church of the time actually functioned. Great things were achieved, but these things were often achieved through less than holy methods. Olimpia turns out to be a reflection of her time. She did great and not-so-great things but she stands out because of her gender. Fortunately for us, since it allowed Ms. Herman to write this great book.

24 of 25 people found the following review helpful.
Great Scholarly Research
By M.O.
I have to disagree with A. Jones' review. He/she claims that Eleanor Herman's work is short on scholarly research. This is preposterous. As someone who has worked in primary source researching - manuscripts at the Library of Congress in Washington - I have to say that the work is absolutely painstaking, and those who are able to do it, and do it successfully, are the true scholars amongst us - they are not simply regurgitating some secondary sources. It is a huge mistake to discard this book as non-scholarly when the exact opposite is true. You can work for days on end combing through Senators' and Presidents' letters in the manuscript division at the Library of Congress and only come up with one or two sentences actually useful for your thesis. The letters are written on horribly deteriorated paper (or paper similar to that of tissue used to keep outgoing letters) in a cursive that is hard to decipher in ink that has run over the years. And I'm only talking about 19th century manuscripts written in American English. Herman did her research in manuscripts from 16th century Italy in medieval Italian (and being someone who speaks Italian, I also assume it was 16th century Romanesco Italian, the Roman dialect of the time) - and she collects a vast fount of these sources. Her research is a wonder. The story that she has been able to uncover from this research is simply astonishing. Yes, Herman does use terminology like "We can imagine/picture..." but it is clear from her writing that she is only extrapolating from the research that she has done and the knowledge of social customs of the time. Herman not only uncovers the gossip and rumors of the day, which is a marvel in itself, but in doing so she paints a picture of 16th century Rome and how life was lived - she is able to tell us not only what the famous Roman statue in the Piazza Navona, Pasquino, had to say about the infamous Olimpia Maidalchini, but she is able to tell us about how Olimpia was able to rid the Piazza of the farmers and peasants who created foul odors in the Piazza, which disturbed Olimpia. How she was able to pilfer the Vatican coffers. How Anna Colonna, a famous member of the Roman Colonna family felt about Olimpia's rise to prominence. How Olimpia's granddaughter refused to consummate her marriage, and how it was well known throughout the city, bringing disgrace upon the Pamphilj family. How it was reported and well known throughout the city that a cardinal, passing through the city streets, called Olimpia a whore.

All of this research paints a fantastic picture of the age, presenting us cutting edge historical research. The fact that Herman asks us to imagine Olimpia doing certain things, which she infers from the voluminous research she went through should not discredit that. Primary source research requires inferences and imagination - as does history in general. If we are unable to imagine, to picture things in the past happening, then we might as well not study history at all. It's the only way we can bring it back to life. And that's exactly what Herman does through, what I must repeat, is some of the best research I have ever seen in a book of its kind. If you are interested in medieval Italy, it is a MUST read. As someone who lived in Italy, studied Italy, and speaks Italian, trust me. It's excellent.

61 of 74 people found the following review helpful.
3 stars for entertainment value, 0 stars for actual scholarly research
By A. Jones
While entertaining and at times salacious, if you're looking for an in-depth, scholarly biography along the lines of Antonia Fraser, keep looking elsewhere.

All in all, I enjoyed reading about a now-forgotten woman who turned Rome and the Catholic Church on its ear with her ambition and greed. The author points out how this woman essentially ran the Vatican for extended periods of time for her brother-in-law, Pope Innocent X. Having schemed to place him on the papal throne, she continued to scheme and intrigue with cardinals, ambassadors, and royalty. All of this was acceptable at the time (bribery and coercion were the norm), but only if you were a man.

That said, this work is far from intellectual and relies too heavily on phrases such as "we can imagine" and "we can picture". This type of speculation runs rampant through the book, as do lengthy fiction-like tangents where the author asks us to imagine scenes in the Vatican and palaces of Rome.

I enjoyed the read, but took much of it with a grain of salt. If you like your biography heavy on opinion and guesswork, this is one for you. If like me, however, you prefer your biography to be well-researched, factual, and lacking in ridiculous exposition about the subject's motivations and the imaginings of the author, then it would be best to look elsewhere.

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Kamis, 28 Mei 2015

> Download Ebook Stargazer (Evernight), by Claudia Gray

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Stargazer (Evernight), by Claudia Gray

Te vampire in me was closer to the surface . . .

Bianca, born to two vampires, has always been told her destiny is to become one. But she has fallen in love with Lucas, a vampire hunter who infiltrated Evernight Academy, the exclusive vampire boarding school she attends. Bianca will do anything to be with Lucas, even if it means lying to the powerful vampires of Evernight.

Her deceit leads her to dig deep into the mysteries of the school, and Bianca discovers that even those she trusts the most have their own dark secrets. When a ghostly force begins attacking Evernight—and targeting Bianca—she learns a shocking truth about her past that will forever change her future.

  • Sales Rank: #583681 in Books
  • Brand: Harper Teen
  • Published on: 2010-02-09
  • Released on: 2010-02-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .79" w x 5.31" l, .56 pounds
  • Binding: Paperback
  • 352 pages
Features
  • dark secrets

From School Library Journal
Grade 9 Up—This sequel to Evernight (HarperTeen, 2008) throws more plot twists at readers, but the writing has improved. The characters are also better developed, and readers find out more about their history. As the new school year begins at a private (vampire) academy, Bianca, a vampire, and Lucas, a vampire hunter, continue their illicit romance, meeting every few months. Her friend Balthazar is trying to find his sister, who is being pursued by the vampire-hunting group the Black Cross. [...] Part Romeo and Juliet, part paranormal romance, part high school drama, this series will definitely continue as the author is keeping some secrets from readers. Fans of Richelle Mead and Stephenie Meyer will definitely enjoy this book.—Corinda J. Humphrey, Los Angeles Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
The bloodthirsty boarders at an exclusive prep school for the undead return in this sequel to Evernight (2008). Sophomore Bianca, still human but almost a vampire, continues her clandestine, passionate romance with Lucas, a member of the vampire-hunting Black Cross. Together with handsome fellow student Balthazar, the kind of nice vampire boy Bianca’s parents envision as her boyfriend, Bianca and Lucas investigate violent, ghostly incidents at Evernight and the underlying question of why the Academy admits humans. Once again, heart-pounding suspense, steamy romance, and textbook-gothic details drive this rapid read that will please Twilight fans, too. Grades 9-12. --Gillian Engberg

Review
“Stephenie Meyer fans will find similar rewards in the flashes of humor; the terrifying battle between ancient, supernatural societies; and the steamy romance in which love bites aren’t just a euphemism.” (Booklist)

“Teenage love, ancient hatred and a Romeo and Juliet-style feud fuel the fires in this compelling first-person drama.” (Romantic Times BOOKclub)

Most helpful customer reviews

18 of 21 people found the following review helpful.
2nd installment in Evernight series even better than first.
By Tara OShea
The Evernight series really stands out in the genre for me, particularly when it comes to throwing the audience curves that are completely in character for these people, and feel like everything builds logically, yet still surprises. Ever since the Harry Potter series of novels and Joss Whedon's "Buffy the Vampire Slayer", there have been a number of YA supernatural series set in boarding schools and high school, where the structure of each novel follows the academic schedule--from first day of classes, through holiday break, until the students depart for the summer. As entertaining as school novels are, you are lulled into a false sense of security by thinking each installment will be the familiar tale of the characters' advancement through another teen right of passage we can all relate to. And so you think you know where the story is going.

But Stargazer defies expectations, and I am so impressed with how strongly the individual characters are drawn, and how the story goes places you'd never expect. There are no black-and-white stereotypes, or cookie-cutter high school tropes. All of the characters may be recognisable and familiar, but they each have strong personalities which dictate their actions. Bianca is a great lead, with strong opinions, and she learns from her mistakes, but also behaves in a very realistic way. She's brave and clever, but the audience aren't expected to agree with all of her choices, even if we understand them. Her relationships with her parents, Lucas, and especially Balthazar take on new depths in the second novel, and there's some fantastic world-building as the secrets of Evernight's past come to light, and Bianca begins to assemble more pieces of the puzzle. What's so satisfying for me is how the book builds to its climax, both in terms of Bianca and Lucas' relationship, as well as the battle between Evernight and the Black Cross.

Nothing will ever be the same after Stargazer, and now I simply can't wait for Hourglass, the next novel in the series.

8 of 10 people found the following review helpful.
Loved it!!
By Kelli Nelson
I thought this was an excellent second book in the series. I couldn't put it down and I am now very sad that i finished it in one day because i wanted to stay in the story as long as possible. It was better than Evernight which I also enjoyed. I am making all my friends read it now because i loved it so much. I really fell in love with all the characters and loved the storyline. I would recommend this book to everyone, it is now one of my top 5 books. I would say it's even better then the Twilight series and that's one of my favorites. I can't wait for the next book!!

3 of 3 people found the following review helpful.
Coudn't put it down!!
By Kellie Thacker
OMG! I'm so cheering for the underdog in this book, Go Balthazar!! Evernight was great but Stargazer actually had my heart hurting. If you haven't read either you really need to. And just because it's a vampire book doesn't mean you should compare it to Twilight. It isn't Twilight so read it that way. I know Evernight/Stargazer isn't as decriptive in parts as I would like it to be but it's quickly becoming my favorite book series. Chapter 18 is my favorite btw!!

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Rabu, 27 Mei 2015

? Download PDF The Land Before Time: Cera's Shiny Stone (I Can Read Book 2), by Catherine Hapka

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The Land Before Time: Cera's Shiny Stone (I Can Read Book 2), by Catherine Hapka

Paperback book based on the television show of the same title.

  • Sales Rank: #333357 in Books
  • Published on: 2007-08-21
  • Released on: 2007-08-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .13" w x 6.00" l,
  • Binding: Paperback
  • 32 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
great book
By jackie05
My son loves this book, the pictures are great and its not too long that he loses interest. This is one of his favorite books. He can tell me whats going to happen before he even turns the page. This book really helped get him into reading more.

0 of 0 people found the following review helpful.
Excellent
By Flossfox
This was a really good book , easy to draw from, and to have a peek at. I think the pages could be a little more thicker but since it was only for drawings, it was easy.Dino-riffic!!

0 of 0 people found the following review helpful.
wonderful addition
By aaaccmom
Thank you for shipping this item so quickly. My daughter loves receiving packages in the mail and loves this book. She is beginning to read and this one is at first grab.

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Selasa, 26 Mei 2015

>> Free PDF Laughter of Dead Kings (Vicky Bliss, No. 6), by Elizabeth Peters

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Laughter of Dead Kings (Vicky Bliss, No. 6), by Elizabeth Peters

“A royal treat….Welcome back, Vicky Bliss!...For readers new to Vicky’s sassy and distinctively smart stories, The Laughter of Dead Kings will mark the start of a beautiful friendship.”

—Tampa Tribune

 

New York Times bestselling Grand Master Elizabeth Peters—author of the thrilling fictional exploits of archaeologist Amelia Peabody in the Land of the Pharaohs—brings back beautiful, brainy art expert and sometime sleuth Vicky Bliss for one last adventure in The Laughter of Dead Kings. The incomparable Peters sends Vicky and her colorful entourage racing across modern-day Egypt to investigate the brazen theft of one the ancient desert land’s most priceless treasures. Smart, funny, evocative, and suspenseful, The Laughter of Dead Kings is a fond and fitting farewell to the ever-delightful Vicky…and a superior mystery fit for a King Tutankhamen.

  • Sales Rank: #1498027 in Books
  • Published on: 2008-08-19
  • Released on: 2008-08-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.09" w x 6.00" l,
  • Binding: Hardcover
  • 336 pages

From Publishers Weekly
Fans of bestseller Peters's Vicky Bliss series will welcome her solid sixth suspense novel to feature the plucky art historian, last seen in Night Train to Memphis (1994). In Munich, where Vicky is an assistant curator at the city's National Museum, she and her longtime love, John Tregarth (formerly Sir John Smythe, notorious art thief), are shocked when their friend Feisal, the Inspector of Antiquities for all Upper Egypt, arrives unexpectedly and informs them that King Tut's mummy has been stolen from its tomb in the Valley of the Kings and that John is the prime suspect. Vicky and company, including her inquisitive boss, set off on a whirlwind quest beginning in Europe and ending in the Egyptian desert to clear John's name and recover the famous corpse. In compensation for a slower pace than in earlier books, Peters offers vivid descriptions of Egyptian landmarks, which will resonate with readers of the MWA Grand Master's beloved Amelia Peabody historical series. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Heavy-hitter Peters (named Grand Master by both Mystery Writers of America and the Anthony Awards and recipient of the Lifetime Achievement Award from Malice Domestic) resurrects series heroine/art historian Vicky Bliss, last seen in 1984. Vicky, introduced in 1973, is still in her early thirties and still connected to her lover, Sir John Smythe, a former art thief whom Vicky suspects may not be entirely reformed. There’s quite a disconnect in reading what is supposed to be a contemporary adventure. Characters speak in an elaborate, archaic, torturously witty fashion. Vicky, even as a first-person narrator, is not the main force in her own life but is dragged about the globe by Sir John. The effect is very much like a 1930s comedy of manners, with very creaky plot machinery. Readers who enjoy that era’s mysteries may like this one, but Peters comes across here like someone who hasn’t updated her gramophone. The plot revolves around recovering the body of King Tut, stolen from its tomb by some Brits. Bliss, through her current connection as assistant curator of Munich’s National Museum, follows Sir John through various exotic locales in search of Tut. The saving grace for this relic comes from Peters’ own expertise in the ancient world (she has a doctorate in Egyptology from the Oriental Institute of the University of Chicago). For devoted Peters fans who simply can’t wait for the next Amelia Peabody novel. --Connie Fletcher

From the Back Cover

Who stole one of Egypt's most priceless treasures? The Egyptian authorities and Interpol believe they know the identity of the culprit: "Sir John Smythe," the suave and dangerously charming international art thief who is, in fact, John Tregarth, the longtime significant other of famed art expert and sometime sleuth Vicky Bliss.

But John swears he is retired—not to mention innocent—and he vows to clear his name. With complete faith in her man's integrity, Vicky takes a hiatus from her job at a leading Munich museum and follows him to the Middle East. But dark days and myriad dangers await John, Vicky, and her employer, the rotund gourmand and insatiable adventurer Herr Doktor Anton Z. Schmidt. And the stakes are elevated considerably when a ransom note arrives accompanied by a grisly memento—because now it appears that murder has been added to the equation.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Kit Smith
Smart, funny, and satisfying. The author wraps up everything neatly, ties it off, and puts a bow on top.

0 of 0 people found the following review helpful.
I always enjoyed Vicky Bliss books
By Brian S.
I may have read this before but won't know until I do read it again. I always enjoyed Vicky Bliss books.

33 of 36 people found the following review helpful.
Wish I could figure out how to award 4 3/4 stars!
By M. C. Carter
This is a VERY GOOD book in my opinion, which is what a book review, (again in my opinion) should be. Do I think it is Ms. Mertz-Michaels-Peters greatest book...no I would award that distinction to either Ammie Come Home (Michaels) or Devil May Care (Peters) The Love Talker (Peters) or maybe Summer of the Dragon or Legend in Green Velvet(also written as Peters). Ammie still scares me into sleeping with the lights on and these Peters books will always send me into spasms of laughter. But Laugher of Dead Kings is still a fitting contribution to and sadly probably the last of the Vicky Bliss series and does exactly what I had hoped it would do!

My advice to new readers of these books to not read this as a stand alone. To really appreciate this book, a reader needs to know the characters, both in the Bliss books and the Emerson-Peabody books.
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In my opinion John is behaving more and more like his ancestor Ramses Emerson as this book progresses. My one quibble is that I would have loved to have seen more made of the relationship reveal between the two series, although after having the honor of meeting Ms. Mertz-Michaels-Peters and talking to her briefly about this point, I'm not surprised at the way this scene was written. What I would most enjoy reading is another Amelia book that would introduce loyal readers to the ancestress of John, Ramses' (as yet unborn in the last Amelia book)youngest daughter and complete the arc between the series.

I am thrilled, and bored my family to death talking about, the hints that there might be additional Amelia books coming from the author with the 'large hat' and her ownership of the three family journals. And to complete this very long book review, I also recommend the Joan Hess book 'Mummy Dearest' as the hints and ties to the Amelia books were fun.

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!! Free PDF Royal Blood (Vampire Kisses, Book 6), by Ellen Schreiber

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Royal Blood (Vampire Kisses, Book 6), by Ellen Schreiber

Alexander's spooky mansion feels like home to Raven . . . but could his residence in Dullsville be coming to an end?

Summer break is over, and Raven's sleep-filled days and romantic nights with her immortal boyfriend, Alexander, must end. The shock of daily attendance at Dullsville High isn't the only change in store. An unexpected letter turns up at Alexander's mansion—announcing his parents will be coming to town! Once they arrive, it seems just about everyone has had a sighting of the macabre couple except Raven. Is Alexander hiding something about his parents' homecoming? Will Raven ever meet them, and can she face the biggest threat yet to her love with Alexander?

  • Sales Rank: #490725 in Books
  • Brand: Katherine Tegen Books
  • Published on: 2010-04-06
  • Released on: 2010-04-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .58" w x 5.50" l, .42 pounds
  • Binding: Paperback
  • 224 pages

About the Author

Ellen Schreiber was an actress and a stand-up comedienne before becoming a writer. She is the author of the first two books about Celeste and Brandon, Once in a Full Moon and Magic of the Moonlight, as well as Teenage Mermaid, Comedy Girl, Vampire Kisses, Vampire Kisses 2: Kissing Coffins, Vampire Kisses 3: Vampireville, Vampire Kisses 4: Dance with a Vampire, Vampire Kisses 5: The Coffin Club, Vampire Kisses 6: Royal Blood, Vampire Kisses 7: Love Bites, Vampire Kisses 8: Cryptic Cravings, and Vampire Kisses 9: Immortal Hearts. She is also the author of the fully illustrated manga series about Raven and Alexander, Vampire Kisses: Blood Relatives and Vampire Kisses: Graveyard Games.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Loved it!!!
By Ev
WEll this is the 6th book to the series! and i just keep loving it! In this book Raven meets Alexanders parents Constantine and Cassandra they like her and well who wouldn't!!! Also they want to see the MANSION!! which is totally crazy! and Well we know Trevor is in love with Raven but seriously you find out how much!! This is just another great book and i cant wait for the next one!!!

2 of 2 people found the following review helpful.
Vampire Parents?
By Vampire Enthusiast
*spoilers below*
Goth girl Raven can never catch a break. Just when her and Alexander's relationship seems to be out of danger---think again. Alexander's parents, Cassandra and Constantine are the classic vampires. Cassandra is pale with the confidence of a queen and the attitude of a movie star, and Raven realizes that she's admiring her role model more than her own mother. Alexander's father, Constantine is the classic vampire all the way, dark with incredible eyes, with a cane and cape in tow.

All is well until they realize and fret over Raven suffering the same fate as Alexander's grandmother: alone in the world because of her love for vampires. They make to move back to Romania now that the feud with the Maxwells (Jagger, Luna, and their younger brother) is over! Who could bare to be seperated from their true love? No one, especially not our dark duo; so the pair create a devious plan to spread rumors so the mansion will go unsold. Which works.. until it doesn't.

Raven seems to grow mentally mature in this book than in the others. She and Becky see eye to eye about their boyfriends and their "not so close" friendship. And she also thinks about her future--not as a vampire but career and passions. She's able to see past Trevor's front and tells the truth of him to him, thus changing him (slightly) into a better (yea right) arch nemisous/stalker. (Seriously, read about the portait in his room and dare to tell me otherwise.)

Overall, Royal Blood is a good read if you liked the others. But I wish Jagger would come back into the story. Trevor's character is becoming less annoying and more sad. Pathetic sad, not tragic. And the "Naper Paper" I'm assuming is supposed to be a shortened, easier try at explaining the dreaded Senior Project. :P

2 of 2 people found the following review helpful.
Courtesy of Teens Read Too
By TeensReadToo
Raven and her vampire boyfriend, Alexander, have had the perfect summer. With fall comes the beginning of school and the ending of their nights together.

The arrival of Alexander's parents makes things worse. While they're seen all over town, Alexander waits to introduce Raven to his parents, making her feel both neglected and hurt.

However, once they meet, she adores his parents and they seem to like her. Before long, Raven's family and Alexander's family start socializing - with Raven and Alexander on hand to make sure Raven's parents don't discover the truth.

But Alexander's parents didn't come to town to visit, they came to sell the mansion and take their son back to Europe with them. When the devastating news hits the couple, they vow to stop the sale.

ROYALD BLOOD continues with the romantic vampire saga of Raven and Alexander in a Gothic tale of love, loss, and friendship.

Reviewed by: Jennifer Rummel

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