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Judas Iscariot has been demonized as the quintessential traitor, the disciple who betrayed his master for the infamous thirty pieces of silver. But the recent sensational discovery and publication of the long lost Gospel of Judas, with its remarkable portrayal of Judas Iscariot as the disciple closest to Jesus, raises serious new questions. Was Judas the only member of the Twelve who truly understood Jesus? Did Jesus secretly collaborate with Judas to set in motion the series of events that would redeem all of humankind? In search of answers, Marvin Meyer, one of the world's leading experts on the Gospel of Judas presents a collection of the earliest accounts of Judas, which together paint a fuller portrait of this most enigmatic disciple.

This book presents the essential texts that deal with the figure of Judas, including New Testament writings, Gnostic documents, and other early and later Christian literature. These are the earliest known testimonies about Judas and include selections from the gospels of Mark, Matthew, Luke, and John, the Acts of the Apostles, and relevant passages from Paul. The centerpiece of the book is the Gospel of Judas, followed by excerpts from three other Gnostic texts—the Dialogue of the Savior, the Concept of Our Great Power, and the "Round Dance of the Cross"—which may shed new light on the figure of Judas. A series of additional writings on Judas produced over the centuries provide glimpses of the vilification of Judas and the emergence of anti-Semitic themes.

Meyer offers evidence of traitors before Judas—the Genesis story of Joseph's brothers who sold him into slavery, the duplicitous friend of the poet in Psalm 41, and Melanthius the goatherd in Homer's Odyssey—all of which raise the question of whether the story of Judas Iscariot could be simply a piece of religious fiction derived from earlier stories.

Judas provides a rich collection of original sources that tell the story of Christianity's most infamous figure, offering the fullest understanding of Judas Iscariot's undeniable importance in the climax of Jesus's life.

• Sales Rank: #1629767 in Books
• Published on: 2007-11-20
• Released on: 2007-11-20
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x .78" w x 5.50" l, .74 pounds
• Binding: Hardcover
• 192 pages

About the Author

Marvin Meyer is one of the foremost scholars on early Christianity and texts about Jesus outside the New Testament. He is Griset Professor of Bible and Christian Studies at Chapman University in Orange, California. Among his recent books are The Gospel of Judas, The Gnostic Gospels of Jesus, The Gospels of Mary, The Gospel of Thomas, and The Nag Hammadi Scriptures.

Most helpful customer reviews

14 of 20 people found the following review helpful.
Some good source material
By Dr. James Gardner
Meyer's book should really be called 1/4 a book. It is 184 pages long, but it is printed on 5 1/4 by 8 1/4 paper using a 1 1/2 line spacing. Which means it's probably about 120 pages long if printed as most books are printed. But, if you subtract the 35 pages of notes and the 26 page introduction, we are well under 100 pages. If you then subtract the dozens of pages that consist of translations of various texts (e.g., Gospel of Judas, Dialogue of the Savior) you probably have fewer than 50 pages of original text.

Much of that text is repetitious. Meyer tells us many times about the dates that the gospels were authored, about the verb paradidonai which means "handed over" and not "betrayed", about the fact that Paul never mentions Judas, etc. In a book that is already too short to really be called a book, such repetitions deprive us of even more information.

The bottom line is that $22.95 is a lot to pay for 1/4 book!

Putting all this aside, what value can we find in this 1/4 book? Meyer's excellent writing skills (excepting the repetition) are very much in evidence, as is his scholarship. But the book is really more of a platform to simply present texts about Judas. Meyer does very little to explain anything, merely to describe.

The various texts about Judas probably tell us more about the people who wrote the texts than they do about Judas. None of this important material is addressed by Meyer.

All things considered, there is very little to merit reading this 1/4 book. If you have no other source for some of the texts (e.g., Acts of John, The Concept of our Great Power, Arabic Infancy Gospel, etc.) then this may be a useful text. But otherwise your money (and time) is best spent elsewhere.

0 of 0 people found the following review helpful.
Marvin, do you see now what I said to you about 'Judas' as James?
By judaswasjames
I 'knew' Marvin Meyer by phone. I tried to tell him that Judas was the sacrifice in the original gnostic story from the Gospel of Judas, but he couldn't wrap his orthodox mind around it. The NT is a coverup. Plain and simply, the canon is a scam on the truth. The early Church elders wanted to start a new religion so they threw the one man who could have really saved them under the bus: James the Just. He became "Judas, the traitor."Now, Meyer's book. As far as it goes it is interesting for its wide-ranging sources. Just remember he was a Presbyterian, not a Gnostic. I practice mystic (gnostic) teaching, daily. This is not about betrayal. Even Marvin knew it. I so wish he could be around to see this become the revelation the Pachomian monks who buried it had in mind all along. It came a little later than expected but I guarantee to all, it won't be lost anymore! Rest my friend, you did a great job with this as far as your upbringing could allow.
The Bible says 'Saviors' - Obadiah 1:21: The New Testament coverup of saviors John the Baptist and James the Just

0 of 4 people found the following review helpful.
NOT SO DEFINITIVE
By T. Wasser
This slender book does not live up to its subtitle of being "the definitive collection of Gospels and legends about the infamous apostle of Jesus." There are many such legends omitted; for example, Benedeit's "Voyage of St. Brendan." Perhaps the author meant to limit the book to only legends from ancient times. The main section consists of a translation of the recently discovered Gospel of Judas. What is really disappointing and distracting in this book is the use of endnotes. Mostly the endnotes direct the reader to "cf." some biblical passage. In order to do so, the reader must have the Bible with the passage referred to immediately available. Although it would have markedly increased the size of this book, it would have been much more convenient to the reader if the endnote supplied the passage referred to, rather than to require the reader to interrupt the flow of his reading to look up the endnote, then to look up the passage in a separate book. Moreover, the constant use of the "cf." appears to reflect a laziness on the part of the author. There is little or no discussion of the importance or significance of the comparison. If the comparison is of minor importance, then the reader would be better served if the author would omit the distraction of endnotes and simply state the general point that the stories have certain similarities. All in all, it appears this book is merely one more exploitation of the discovery of the Gospel of Judas, dressed up in pseudo-scholarship for the masses.

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# PDF Ebook But Wait ... There's More!: Tighten Your Abs, Make Millions, and Learn How the $100 Billion Infomercial Industry Sold Us Everything But the

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Whether it was a Ginsu knife, George Foreman Grill, Tony Robbins' motivational book, kitchen device by Ron Popeil, or any of the countless other famous products that have been marketed on infomercials over the years, admit it: you or someone you know has bought one—and you're not alone. Last year, one out of every three Americans picked up the phone and ordered a product from a television infomercial or home shopping network, and in But Wait . . . There's More! journalist (and infomercial addict) Remy Stern offers a lively, behind-the-scenes exploration of this enormous business—one that markets the world's most outrageous products using the most outrageous tactics.

Don't let the kitschy exterior fool you: behind the laughable demonstrations, goofy grins, and cheesy dialogue lies an industry larger than the film and music industries combined. The first book of its kind, But Wait . . . There's More! exposes the never-before-told story of the infomercial and home shopping phenomenon in all its excessive glory and its meteoric rise to become one of the most profitable businesses in America.

Along the way, Stern details the history behind the classic products and introduces readers to some of the most famous (and infamous) pitchmen and personalities in the business, including Tony Robbins, Billy Mays, Ron Popeil, Tony Little, Suzanne Somers, Kevin Trudeau, and Joe Francis. He also presents an in-depth look at the business behind the camera—the canny sales strategies, clever psychological tools, and occasionally questionable tactics marketers have used to get us to open up our wallets and spend, spend, spend.

Stern's eye-opening account also offers a penetrating look at how late-night television conquered the American consumer and provides insight into modern American culture: our rampant consumerism, our desire for instant riches, and our collective dream of perfect abs, unblemished skin, and gleaming white teeth. Both a compelling business story and a thoroughly entertaining piece of investigative journalism (with a touch of muckraking and social satire), But Wait . . . There's More! will ensure that you never look at those too-good-to-be-true deals the same way again.

• Sales Rank: #225837 in Books
• Published on: 2009-03-24
• Released on: 2009-03-24
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .93" w x 6.00" l, 1.10 pounds
• Binding: Hardcover
• 272 pages

From Publishers Weekly
In this lively exposé, journalist Stern dissects the direct-response marketing business (which includes both infomercials and home shopping networks), a $300 billion industry, larger than the film, music and video game industries combined. There's guilty-pleasure revelations aplenty: how the traditional sales pitch adapted to a televisual format by, for example, real-time number tracking that allows network officials to tell on-air talent, through tiny earpieces, that, say, twirling a piece of jewelry around a finger causes sales to spike and how hosts persuade Americans to buy products like the Inside-the-Shell Electric Egg Scrambler, Power Scissors, the Miracle Broom and, of course, the most successful on-air product to date, the celebrity-driven skin-care regime Proactiv. There's psychology here, too: the author describes the mindset of the typical late-night tired consumer, falling for tricks they wouldn't necessarily fall for in a store. Stern is the perfect host to this slightly seedy world, well-informed and "transfixed by the zany nature of it all." (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“[An] entertaining portrait…Mr. Stern is at his best when he confronts the real stars here: the infomercials themselves…But Wait…There’s More! is well worth your time.” (Wall Street Journal)

“One of the most interesting industry portraits to come along in a while.” (USA Today)

“[An] intelligently composed exposé, an impressive work of contemporary history, full of wit.” (Dallas Morning News)

“[A] lively exposé. . . . Stern is the perfect host to this slightly seedy world, well-informed and ‘transfixed by the zany nature of it all.’” (Publishers Weekly)

“In his addictive take on the gimmickry that is direct-response TV, Remy Stern explains why we buy into products with false promises and celeb spokesmen with even falser tans.” (Advertising Age)

“A wholly fascinating account of a wholly fascinating industry.” (Robert B. Cialdini, bestselling author of Influence)

“Nothing is more joyously, or obnoxiously American than the infomercial. This is a book for everyone who is, or once was, a late-night TV junkie.” (Paco Underhill, author of the national bestseller Why We Buy)

“Act now and read this book. It slices and dices the world of infomercials-humorously detailing their meteoric rise as icons of Americana.” (Edward Ugel, author of Money for Nothing)

“I avoid late night TV like the plague-and Remy Stern explains why, wonderfully, in But Wait…There’s More!” (Michael Gross, author of Rogues' Gallery and 740 Park)

About the Author

Remy Stern is a former editor at Radar and currently the editor and publisher of the Web site Cityfile.com. He has written for numerous publications in the past, including New York magazine and the New York Post. His lifelong fascination with infomercials has led him to buy, among other things, a pasta machine, a vegetable juicer, and a set of booklets and VHS cassettes that assured him he'd be a millionaire in thirty days or less. He lives in New York City. This is his first book.

Most helpful customer reviews

16 of 17 people found the following review helpful.
America ... is an informercial? (Plus shipping and handling)
By Jasparaz
I read Steve Salerno's superb review of "But Wait" in the WSJ on March 25, instantly downloaded the book to my Kindle2, and dug in (after setting the font size much larger for my older eyes).

The author had me laughing many times, but, more seriously, there are countless tip and tricks revealed about the infomercial business and selling in general that make this a highly worthwhile read.

I also love talking with friends about the book because everyone knows or remembers the gadgets, get rich quick seminars, and celebrities who hawk pimple treatments and swamp land in Arkansas.

About a third of my way into "But Wait," I began having a strange fantasy: maybe we're all living inside one giant, massive informercial. After all, I bought my kindle2 based on the infomercials at amazon's website!

4 of 5 people found the following review helpful.
Fascinating
By P. Meltzer
I thought this book was great. Written in a very engaging style. The chapter on how the infomercials are created is worth the price of the book all by itself. Parts of it were a little depressing though, such as how easy it is to sucker people who don't have money and the long list of dishonest people who have "gotten away with it", in that, even if they had to pay some fines, it was nothing compared to what they earned. A photo section would have been nice. Also, I would have been interested to know if there were or are ANY infomercials advertising products that really are truly innovative or useful. The author would have you believe that the answer is no, but I wonder...

3 of 4 people found the following review helpful.
Interesting look at an interesting industry
By Charlie
About: Stern takes us a tour of the infomercial industry. The cast of characters includes legends like Tony Robbins, one of whose ads brought in $50,000 a minute, unsavory characters like Kevin Trudeau and his bogus "cures" and celebrities who seem to hawk most anything for a buck or to hold on to the last vestiges of fame. A glimpse behind the scenes gives us a look at the QVC "house" where they broadcast 24 hours a day. A few unsurprising "secrets" are revealed as well: The Magic Bullet has a $39.95 charge for shipping, the "other" knife is shown slicing an under ripe tomato while the infomercial knife cuts through an overripe one and don't be surprised if the product with a 30 day money back guarantee arrives on your doorstep on day 29.

Pros: Well-written, interesting look at the industry

Cons: While there is a references section in the back, there are no in-text citations.

Grade: B

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# Get Free Ebook The Luxe, by Anna Godbersen

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Pretty girls in pretty dresses, partying until dawn.
Irresistible boys with mischievous smiles and dangerous intentions.
White lies, dark secrets, and scandalous hookups.
This is Manhattan, 1899.

Beautiful sisters Elizabeth and Diana Holland rule Manhattan's social scene. Or so it appears. When the girls discover their status among New York City's elite is far from secure, suddenly everyone—from the backstabbing socialite Penelope Hayes, to the debonair bachelor Henry Schoonmaker, to the spiteful maid Lina Broud—threatens Elizabeth's and Diana's golden future.

With the fate of the Hollands resting on her shoulders, Elizabeth must choose between family duty and true love. But when her carriage overturns near the East River, the girl whose glittering life lit up the city's gossip pages is swallowed by the rough current. As all of New York grieves, some begin to wonder whether life at the top proved too much for this ethereal beauty, or if, perhaps, someone wanted to see Manhattan's most celebrated daughter disappear...

In a world of luxury and deception, where appearance matters above everything and breaking the social code means running the risk of being ostracized forever, five teenagers lead dangerously scandalous lives. This thrilling trip to the age of innocence is anything but innocent.

• Sales Rank: #268057 in Books
• Brand: Harper Collins
• Published on: 2008-09-23
• Released on: 2008-09-23
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.05" w x 5.31" l, .76 pounds
• Binding: Paperback
• 464 pages

From Kirkus Reviews
A big, sumptuous tale of catty girls, dark secrets and windswept romance unfurls in this compulsively readable novel of late-19th-century New York City socialites. Godbersen weaves a tenuous web of deceit, backstabbing and pretense that follows four teens: Elizabeth Holland, a prim and proper lady of old-money society, is betrothed to one man, though furtively loves another; Henry Schoonmaker, a debauched playboy who must marry Elizabeth or be disinherited; Diana Holland, Elizabeth’s younger sister who is in love with her fiancé; and Penelope Hayes, a member of the nouveau riche who will stop at nothing to win Henry’s affections. As Elizabeth and Henry’s wedding approaches, the spectacle unfolds in a wondrously grandiose scene, making for a fun, though not entirely unexpected dénouement. A delicious new twist along the Gossip Girl vein, readers will clamor for this sharp, smart drama of friends, lovers, lies and betrayal. (Fiction. YA)

Review
“Mystery, romance, jealousy, betrayal, humor, and gorgeous, historically accurate details. I couldn’t put The Luxe down!” (Cecily von Ziegesar, author of the #1 New York Times bestselling Gossip Girl series)

From Publishers Weekly
With a quote from The Age of Innocence as an epigraph and an enthusiastic blurb from the creator of Gossip Girl on its back cover, this lavishly produced debut makes no secret of its twin influences. The story opens in 1899 with the funeral of Elizabeth Holland, a well-bred beauty said to have plunged to her death in the Hudson River. The narrative then travels back several weeks, tracing the relationships and events that have led to the somber assembly. This tangled web includes not one but two sets of star-crossed lovers; an upstairs/downstairs romance; a scheming social climber; a bitter servant girl; and oodles of money, all set in a Edith Wharton via Hollywood vision of Old New York. The dialogue has its clunky moments, and the plot twist that drives the tale is telegraphed from the very start, but readers caught up in the fancy dress intrigue are unlikely to mind much: it’s all part of the dishy fun. Needless to say, the ending paves the way for at least one sequel. Ages 14-up. (Dec.)

Most helpful customer reviews

83 of 94 people found the following review helpful.
Intoxicating from start to finish!
By Erika Sorocco
The year is 1899. While women and young ladies are supposed to be demure and proper in each and every thing they do; so is not the case for many of those living in New York City. Four young women, to be exact, who are committing different forms of wrongdoing, which would certainly turn heads and cause whispers in upper class society. Things that would leave them shunned. But, as long as no one finds out, I suppose it doesn't really matter. If those secrets are revealed, however, things may not be as...peachy keen as they are now.

Eighteen-year-old, Elizabeth Adora Holland, is the girl every gentleman wants to be with, and all the girls want to be. As far as society goes, Elizabeth is the ideal up-and-comer. She's demure, polite, pure, and breathtakingly beautiful. What society doesn't know about, however, are her late-night trysts with a certain member of her staff. Trysts that seem harmless and loving to Elizabeth and her...admirer; but would turn heads and cast her out of the inner circle in mere moments. When she is betrothed to the most sought-after bachelor in New York City, the world practically stops as wedding preparations begin. Unfortunately, Elizabeth's heart isn't in it, instead, her conscience and her true love take over, causing her to question her impending marriage. But with a horrible secret haunting her family, there is little she can do to save herself from a lifetime of misery, without taking matters into her own hands and doing something drastic.

While Elizabeth is the perfect model of society; her sixteen-year-old sister, Diana, is practically anti-proper manners and living. Diana would rather spend her days reading romance novels, and kissing random boys, than acting proper. She dreams of being a heroine, who is rescued by a dashing gentleman. When she learns of the impending trouble facing her family, she relishes it - believing it will bring her some excitement. Certainly not as much excitement as her secret affair with someone else's future husband, of course.

Penelope Hayes may be viewed by society as an improper floozy-esque young lady; but what she lacks in manners, she certainly makes up for in ravishing clothes, gorgeous looks, an estate that turns heads, and a bank account that leave people drowning in a puddle of their own drool. On the outside, it appears that Penelope and Elizabeth are best friends; but for those on the inside, it's quite obvious that Penelope's loath and jealousy of Elizabeth dominate their relationship. Especially when Elizabeth steals the man of her dreams away from her. Now she plans on destroying her future, no matter what it takes. As they say..."keep your friends close, and your enemies closer."

Lina Broud has always been an outsider looking in at the privileged world of high society. As Elizabeth's maid, she once shared a close friendship with her employer. But times have changed. Elizabeth is too busy to be friends with someone beneath her, and Lina is too proud to go on serving someone so ungrateful. Luckily, Lina has some juicy gossip about Elizabeth. Gossip that could finally permit her entry into the glamorous world of high society. The question is whether or not she's capable of betray her childhood friend for a little cold, hard cash. It's amazing what type of effect money can have on someone.

I am beyond shocked to learn that this is Anna Godbersen's debut novel. From page one, her lavish descriptions of old time New York City, and high society hooked me; while her gossip-loving, well-dressed characters reeled me in. The scandal and mystery wrapped inside this charmed world, of course, didn't hurt the story at all. Rather, it added another dimension to the tale, making it incapable for the reader to put it down. While Elizabeth is a good girl doing bad things; and Penelope is a bad girl doing bad things; and Lina is a spiteful servant you can't help but dislike; Diana comes off as the most diverse, multi-dimensional character - at least in my eyes. Diana is the epitome of a girl gone wrong. She doesn't take direction from her elders, she spends her days devouring books, and she has no problem with smoking, or kissing random men. Her free spirit is overwhelmingly delightful; and, mixed with the characters of Lina, Penelope, and Elizabeth, Godbersen has woven a tightly knit story that leaves the reader craving more. And with a cliffhanger that would leave anyone salivating, there's no doubt in my mind that people won't be racing to the store for the next installment. Intoxicating from start to finish!

Erika Sorocco
Freelance Reviewer

55 of 63 people found the following review helpful.
If only the book were as good as the cover
By Anidori-Isilee
I wanted to love THE LUXE. I really did. And I only liked it.

The book begins at the funeral of Elizabeth Holland, 1899 Manhattan's ideal young lady of the upper class. She presumably drowned in the Hudson; her body has never been recovered. This should make for a really interesting book, exploring her death and the possible causes and how everyone reacts, right? Unfortunately, this book is not about Elizabeth's death but the lives of five teenagers living in upper class Manhattan.

Elizabeth does not want to marry Henry Schoonmaker and he doesn't want to marry her, but neither have a choice. Elizabeth's family is faced with ruin if she doesn't marry; Henry, who is quite a scoundrel, is faced with being disinherited. But Penelope Hayes, daughter of a newly wealthy family, wants Henry for herself and will do anything to get him, and servant Lina Broud, who hates her mistress Elizabeth, might prove dangerous.

The characters are all stereotypical or boring. There's absolutely no thought behind the characters of Penelope, Lina, and Henry. They are exactly what you'd expect to find, and there's nothing about them that makes them stand out. Elizabeth is just dull, and the adults too have very little personality. Only Diana Holland, Elizabeth's rebellious and slightly immature younger sister, shows any potential for developing into a memorable literary character. I will read the second book, but mainly to find out what happens to Diana.

And then the writing...Godbersen tried to make her writing stand out by using vivid words, but honestly in the end her writing just seemed stilted. She seemed to do a lot more telling than showing, and sometimes she added details in places where they disrupted the story. Overall, the writing made what should have been an exciting book hard to get into.

This wasn't a bad book. I did enjoy it, but it's not as good as I was expecting.

69 of 83 people found the following review helpful.
What year is it? Oh really, 1899? Yeah, right.
By J. Williams
I normally dislike writing negative reviews, but in this case I feel absolutely inspired to. I received this book as an Advanced Readers copy from the Harper Collins First Look program, I am I truly expected to be blown away by what promised to be an excellent historical portrayal of teens at the turn of the nineteenth century. Instead, I felt like the characters in the book had been plucked from some modern day series like the Gossip Girl books. I am sure there are plenty of naughty girls of the upper crust in any time period, but it seemed to me that all the girls were lacking in the basic decorum of the time.

That is not to say the book was on the whole terrible. The descriptions of the lavish way of life certainly inspired me, placing me within the glittering late Victorian world. My main qualm was the characters. To me, they just didn't seem to embody the spirit of the age. I am not a prude, to be sure, as I read things that have sexual depictions, but the casualness of the depicted sex left a bad taste in my mouth. I could not care much for any of the characters because they seemed so bratty and duplicitous with their so-called friends. There wasn't even a good loathing hate that can come from an excellent depiction of a villain, just a dislike for everyone.

Perhaps I should have thought twice about wanting to read a book that talked about the bad girls acting bad and the good girls also acting bad, but I suppose I just wanted the book to be something else. So while I have been a little scathing, there is certainly an audience for this book, if you like the kind of modern melodrama with plenty of sex and betrayal along with a dose of "friendship." And there are beautiful descriptions of the luxury of the times which are quite impressive and vivid. A mixed bag for me, but sure to be a catch for those who like this sort of thing.

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“The best, contemporary translation of the Bible…an obvious must for every Catholic household.” —James Martin, S.J., author of The Jesuit Guide to (Almost) Everything

The XL offers baby boomers a uniquely styled, elegantly designed, easy-to-read NRSV Bible with extra-large type. The New Revised Standard Version (NRSV) Catholic Edition is approved for study by the United States Conference of Catholic Bishops, and is recognized in scholarly circles worldwide as the most accurate translation to English from the original Hebrew and Greek texts.

• Sales Rank: #116072 in Books
• Color: Green
• Brand: HarperCollins Christian Pub.
• Published on: 2007-09-11
• Released on: 2007-09-11
• Format: Large Print
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.43" w x 7.50" l, 2.40 pounds
• Binding: Leather Bound
• 1824 pages

From the Back Cover

The NRSV has been grossly undermarketed and undersold. In our efforts to provide new and innovative editions of this beloved translation, we now introduce the XL edition. Targeting those who appreciate an easier–to–see setting, we have combined the latest trends in design with a larger print size. The NRSV XL offers beautiful and hip styling with a wonderful reading experience. No one will feel that they have been relegated to ugly and bulky larger print editions by purchasing an XL.

The New Revised Standard Version is the translation used by mainline Protestant churches, Orthodox churches, and by many Catholics. The New Revised Standard Version is recognized in scholarly circles as the most accurate translation into English of the original Hebrew and Greek texts. In the tradition of its predecessors, the King James Version and the Revised Standard Version, the NRSV was designed to be the "standard" version for English–speaking people across all denominations, which in many ways it has become. None of the new, more sectarian translations have approached its standards of elegance and accuracy.

Overall, this special easy–to–read large print setting makes the Bible a wonderful reading experience. It also includes a concordance index to help people find key passages.

This special Catholic edition includes all 73 books of the Catholic canon.

Most helpful customer reviews

38 of 38 people found the following review helpful.
Catholic Edition, Anglicized Text
By Paul Michael
The only complaint I have for this publication is that the concordance was made with such small type it is impossible for me to read without magnification. This is marketed as a large print edition after all.

Other information not readily apparent from the description. This does come with a usefull green ribbon bookmark. There are no "words of Christ in red." This is an Anglicized edition which mean British word usage and spelling like "odour" and "colour."

0 of 0 people found the following review helpful.
This is too wide horizontally! No book cover can ...
By Lori Harris
This is too wide horizontally! No book cover can fit it. It is an awkward size to sit and read but it is a larger print and that is what I was looking for. Take lessons from the protestant large print Bibles and make it durable and practical!

0 of 0 people found the following review helpful.
Not really XL print
By J. Hostetter
According to the description, it was a large print, easy-to-read Bible. It was not. I bought this for my mom who has low-vision. Neither she nor I could read it. I would only recommend if you have normal vision.

See all 40 customer reviews...

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The Guy's Guide to Romance is an indispensable handbook filled with fundamentals that every man can use to enter into or maintain a happy, healthy relationship. Divided into 11 rules, The Guy's Guide to Romance helps you cater to your girlfriend's wants and needs and teaches you how to get her to do the same for you. You'll learn how to handle arguments and jealousy, how to live together without driving each other crazy, and how to balance your social life with your romantic life. From the first date to the marriage proposal, from meeting her family to keeping the relationship exciting, The Guy's Guide to Romance is essential reading for every man who wants to get a great girl—and keep her.

• Sales Rank: #642365 in Books
• Published on: 2008-02-12
• Released on: 2008-02-12
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .60" w x 6.00" l, .67 pounds
• Binding: Paperback
• 240 pages

About the Author

James Bassil is the editor-in-chief of AskMen.com.

Most helpful customer reviews

37 of 38 people found the following review helpful.
Very Accurate!
By H. O'Hare
First I want to start off by saying that I am a woman (straight). I originally purchased this for myself (thanks to the Valentine's Day discount, lol) out of curiosity. Not all men are right when it comes to women, and not all women are right when it comes to men; this is due to a lack of education/false information (cosmo anyone?). I was very impressed by this book. It was written in a *guide* format and was very blunt. Bassil didn't beat around the bush about what the average woman wants and constantly reminded the reader how to keep her happy during all stages of your relationship with her. [Most] women don't want to be coddled 24/7 or showered with praise at all times of the day and night, but it is really nice to feel appreciated: little reminders that you're still physically and emotionally attracted to us. Bassil, IMO, does a very nice job on listing various ways to keep the spark alive after you've been together for a while as well as how to 'woo' a woman.

Whether you are a newbie in the game of love or a 'pro,' I think that every guy will benefit from this guide. Not everyone knows everything and not all women are the same, but we do share a lot of similarities. :)

3 of 3 people found the following review helpful.
Excellent coverage of fundamentals
By P. Antal
This book provides a very balanced coverage on relationships, covering many different viewpoints/stages. Reviews hazards and ideal scenarios through plausible examples. Well written, provides excellent motivation and explanations to help the reader recognize the importance and value of the "common sense" principles in this book.

1 of 1 people found the following review helpful.
Great Read
By mr.I
I thoroughly enjoyed this book, I like to read books that deal with the understanding of women and yeah it does include the occasional cosmo. The book was well written and a easy read. It helps provide a foundation while also providing the information required to build and tailor the ideas to your personal situation. I would recommend this book to anyone.

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From New York Times bestselling author Peter Robinson comes this mesmerizing story—within-a-story—that will thrill his fans and bring him many new readers.

A distraught woman arrives at the Eastvale police station desperate to speak to Detective Chief Inspector Alan Banks. But Banks is abroad, and the woman’s revelation of a loaded gun hidden in her daughter Erin’s bedroom leads to a shocking fatality when a police armed-response team breaks into her house. The fallout will have dark consequences for Banks and his partner, DI Annie Cabbot. It turns out that Erin’s best friend is Banks’ own daughter, Tracy . . . who was last seen in the company of the weapon’s actual owner, a very bad boy indeed.

Now that his child is on the run with a psychopath, Banks finds himself caught in a bloody tangle of betrayal and murder. But the rogue DCI is a bit of a bad boy himself, and he’ll freely risk his life and career in the cause of love—and vengeance.

Thrilling, harrowing, and utterly compelling, Bad Boy showcases Peter Robinson’s masterful writing.

 

• Sales Rank: #464783 in Books
• Published on: 2011-10-25
• Released on: 2011-10-25
• Original language: English
• Number of items: 1
• Dimensions: 6.75" h x 1.00" w x 4.19" l, .45 pounds
• Binding: Mass Market Paperback
• 400 pages

From Publishers Weekly
Starred Review. Robinson tries something different in his excellent 19th novel to feature Det. Chief Insp. Alan Banks (after All the Colors of Darkness) by keeping the Yorkshire policeman offstage for the first half of the book. Banks's daughter, Tracy, knows that her friend, Erin Doyle, is dating a bad boy. But she doesn't know how bad Jaff McCready is until the recovery of a gun at Erin's parents' home results in a fatal accident. Before Tracy knows what's happening, Jaff whisks her on an adventure, eventually hiding out at Banks's house while her father is on holiday in America. As Det. Insp. Annie Cabbot searches for Jaff, Tracy's infatuation turns sour when she finds Jaff's suitcase of drugs, money, and a gun, and becomes his hostage. When Banks returns to Yorkshire, he has to balance his roles as a cop and a father. Robinson deftly integrates Banks's personal life with an acute look at British attitudes about police, guns, and violence in this strong entry in a superb series.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Robinson’s long-running series starring Alan Banks, now detective chief inspector of the Yorkshire Constabulary, plays off the character of complicated, morose, solitude- and music-loving Banks, a throwback to the depressed detective of classic hard-boiled fiction. This time Banks is not only complicated and depressed, but he’s also completely offstage for about half of the action, on holiday in the American West and seen only briefly. Fans will be disappointed, but the absence of Banks picks up the pace quite a bit. Banks’ sometime lover and longtime ally, Inspector Annie Cabott, fills the void nicely in a case that begins when a former neighbor of Banks’ reports her daughter has a gun in the home. The Armed Response Team arrives and tragically mucks up a tense situation. Part of Robinson’s narrative talent is his ability to convert police procedure and politics into gripping reading. The gun at the scene of the botched police operation belonged to an exotic, handsome young man, boyfriend of the girl holding the gun and acquainted with Banks’ daughter, Tracy. The bulk of the book is an absolutely stunning examination of how Tracy fell for this bad boy, hiding him from police and coming to the horrific awareness that he is a sociopath more than willing to kill her. We don’t really need Banks when he gets back—the character study of Tracy and the tension of her situation drive the book. A change of pace for the series, to be sure, but another outstanding crime novel from Robinson. --Connie Fletcher

Review
“A top-notch thriller that further advances Banks’ development as one of the most intriguing characters in detective fiction….With emotional literacy and inexorable momentum that builds tension to the breaking point, Robinson reaffirms his place in the top cadre of police-procedural writers.” (Richmond Times-Dispatch on Bad Boy)

“Another outstanding crime novel from Robinson.” (Booklist (starred review) on Bad Boy)

“(A) strong entry in a superb series.” (Publishers Weekly (starred review) on Bad Boy)

“Entertaining.” (Kirkus Reviews on Bad Boy)

“Excellent characterization and skillful plotting make this an engrossing read.” (Library Journal on Bad Boy)

“Bad Boy is very, very good indeed.” (Strand magazine on Bad Boy)

“Robinson once again achieves the high bar he’s set in all his previous Inspector Banks books: gut-wrenching plotting alongside heart-wrenching portraits of the characters who populate his world, not to mention the top-notch police procedure. This one will stay with you for a long time.” (Jeffery Deaver, New York Times bestselling author of Roadside Crosses)

“A murderous psychopath presents Alan Banks with the most intensely personal challenge of the maverick detective’s storied career. Superbly cinematic from the beginning to the explosive finale, this would be a thrilling movie.” (Joseph Wambaugh, New York Times bestselling author of Hollywood Moon)

“You’d better buy.” (Library Journal on Bad Boy)

Most helpful customer reviews

26 of 30 people found the following review helpful.
"She was having her own adventure now."
By E. Bukowsky
While DCI Alan Banks of the North Yorkshire police is on holiday in America, Detective Inspector Annie Cabbot interviews an old friend and former neighbor of his, Mrs. Juliet Doyle. Juliet has come to the Eastvale station to report that her daughter, Erin, somehow got hold of a gun and brought it into their home. Erin's mother was hoping that, as a favor, Alan could take care of the matter without causing an uproar. Since Banks is still in California, the case is handled according to standard protocol, with disastrous consequences.

Meanwhile, Tracy, Alan's twenty-four year old daughter, who lived with Erin and a third roommate named Rose, takes up with Erin's former boyfriend, thirty-one year old Jaff McCready, a "nasty piece of work." "He was good-looking, bright, a real charmer, and maybe crooked." Tracy is ready to leave her "good girl" persona behind, and Jaff seems to be just the guy to hang out with while she reinvents herself. Peter Robinson's "Bad Boy" describes what happens when a naïve young woman gets involved with a reckless and self-absorbed man. Annie tries to help Tracy but, unfortunately, Jaff is far more dangerous than he appears, and the situation quickly spirals out of control. Soon, Jaff and Tracy are on the run, not only from the police but also from Jaff's confederates, who are even more sadistic and ruthless than he is. Soon Tracy realizes that "what had yesterday seemed like a mildly exciting lark was now turning out to be something more serious."

"Bad Boy" is one of Robinson's lesser entries in his usually superb series featuring DCI Alan Banks. The problems include: an underwritten plot in which the villains are stock characters who behave all too predictably; Alan's absence until the second half of the novel; Tracy's stupidity, which is hard to credit in the adult child of a police officer; a pat and somewhat maudlin conclusion. When Robinson is at the top of his game, he fine-tunes his characters and explores underlying themes that give his police procedurals depth and weight that formulaic genre novels often lack.

Its flaws notwithstanding, "Bad Boy" is a readable enough story about the belated maturation of Tracy Banks, who learns the hard way how miserable "bad boys" can be. Banks, who has neglected Tracy in the past, tries to redeem himself in her eyes. Police bureaucracy and politics rear their ugly heads, as usual. Banks's old confederate, the sly Dirty Dick Burgess, makes an appearance, and there may be some unfinished business between former lovers Alan Banks and Annie Cabbot. One of the more intriguing police officers is Constable Nerys Powell, who has a bit of Alan Banks in her. She is a maverick who ignores regulations when it suits her. Also noteworthy is Jamaica-born Winsome Jackman, a statuesque, smart, witty, and thoroughly professional detective sergeant. As usual, the author nicely describes the picturesque Yorkshire countryside, where tourists flock to gaze at scenic vistas. Robinson has written a serviceable mystery, but the uninspired dialogue and conventional plot prevent "Bad Boy" from taking its place among the best of Banks.

23 of 27 people found the following review helpful.
Sisterhood of Stupidity
By MJS
In the realm of pop culture the female offspring with bad taste in men and a propensity for landing in life threatening-peril has a long history. Audra in The Big Valley, Diana Fairgate in Knots Landing, Kim Bauer in 24, to name but a few, inspired in viewers like me a weekly mixture of disappointment and awe. Disappointment that yet another perfectly good opportunity to kill them had been squandered and awe that any writer could think stupidity makes compelling entertainment. Into this rich tradition Peter Robinson's Bad Boy launches DCI Banks' daughter Tracey Banks, hitherto not renown for her imbecility.

Tracey, however, is a comer. And she's surrounded by several idiotic characters and situations that serve to vault her own burgeoning dimwittedness into the stratosphere. In the first few chapters we are confronted with England's dumbest mother - what do you do if you suspect your child is in trouble? Why you toddle down to the local police station; a "gun removal" procedure that despite several characters noting that it is "by the book" strikes me as being taken from the adventures of Larry, Moe and Curly; a cardboard cutout police villain; and Tracey, who has decided to call herself Francesca to spice up her boring life. Is it any wonder that Banks himself would choose to flee the jurisdiction and vacation in California? Sadly, he's not in search of higher IQs, he's off searching his soul after the collapse of his relationship with a younger woman and his encounter with MI5. He's on a California whine tour.

To make matters even more entertaining, Robinson has decided to delete the mystery portion from this installment of this mystery series. You know who did it. Banks knows who did it. The only person who is momentarily dim on this is, you guessed it, Tracey. Her decision to cleave unto the bad boy of the title is one the goofier aspects of the book - he was her friend's boyfriend, she just fancied him until the cops got involved. Then it's shopping, trashing Dad's place and running from the man all day. Like Gym, Tanning and Laundry, only even dumber.

As if this isn't enough fun, Robinson then tosses in a super-criminal known as The Farmer (cue the foreboding music) and his two psychotic henchmen. Then he adds a graphic torture tableau. It's a relief because for the last 20 books I've been saying to myself, Excellent characterizations, complex mysteries and genuine moral dilemmas are all fine and good but when is Robinson going to get serious and deliver more gratuitous victimization of women.

I'm not a fan of this book despite being a fan of the series. Robinson can do much, much better than this book that reads more like a plea for a movie deal than an entry into what has been up to know an extremely well-written, well-plotted, thoughtful mystery series. If you're a fan of Robinson and Banks, you may want to skip this one.

9 of 9 people found the following review helpful.
Not Up to the Standards of A Good Detective Banks Mystery
By Fairbanks Reader - Bonnie Brody
I've been a fan of the Detective Banks series for a while but this is definitely one of the weaker books in this series. It is not at the level of In a Dry Season (Inspector Banks Mysteries). In fact, Detective Banks doesn't appear in this mystery until about 100 pages into it.

The novel starts off with Julia Doyle, an old neighbor of Detective Alan Banks coming to the station house very upset. She found a gun in her daughter, Erin's, room. For those of you who don't know, unlicensed gun possession in England carries a mandatory five year sentence and always consists of jail time. Detective Banks is on vacation and so the case is turned over to others in the squad. Tragically, in the course of confiscating the gun, Julia's husband is tasered and dies as a result.

Meanwhile, we are privy to the fact that Erin, as well as Detective Banks' daughter, Tracy, are attracted to 'bad boys'. Their latest par amour is Jaff McReady, a seamy guy who is into bad stuff. As the story progresses we find out that he is trying to outfox bigger bad boys and get away with their drugs and money. In the course of things, Tracy turns from his girlfriend into his hostage. It is up to Detective Banks and his team to apprehend Jaff and save Tracy.

Their are lots of holes in the plot and the characterizations are weak. The quality of the writing is very good as is usual for Peter Robinson but he just didn't delve deeply enough into the characters and rationales of Erin, Tracy, Jaff, or The Farmer. Had he done this, the book would be longer but much more satisfying.

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@ Download There Is a God: How the World's Most Notorious Atheist Changed His Mind, by Antony Flew, Roy Abraham Varghese

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In There Is a God, one of the world's preeminent atheists discloses how his commitment to "follow the argument wherever it leads" led him to a belief in God as Creator. This is a compelling and refreshingly open-minded argument that will forever change the atheism debate.

• Sales Rank: #22889 in Books
• Brand: HarperOne
• Published on: 2008-11-04
• Released on: 2008-11-04
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .58" w x 5.31" l, .46 pounds
• Binding: Paperback
• 256 pages

From Publishers Weekly
British philosopher Flew has long been something of an evangelist for atheism, debating theologians and pastors in front of enormous crowds. In 2004, breathless news reports announced that the nonagenarian had changed his mind. This book tells why. Ironically, his arguments about the absurdity of God-talk launched a revival of philosophical theists, some of whom, like Alvin Plantinga and Richard Swinburne, were important in Flew's recent conversion to theism. Breakthroughs in science, especially cosmology, also played a part: if the speed or mass of the electron were off just a little, no life could have evolved on this planet. Perhaps the arrogance of the New Atheists also emboldened him, as Flew taunts them for failing to live up to the greatness of atheists of yore. The book concludes with an appendix by New Testament scholar and Anglican bishop N.T. Wright, arguing for the coherence of Christian belief in the resurrection. Flew praises Wright, though he maintains some distance still from orthodox Christianity. The book will be most avidly embraced by traditional theists seeking argumentative ammunition. It sometimes disappoints: quoting other authorities at length, citing religion-friendly scientists for pages at a time and belaboring side issues, like the claim that Einstein was really a religious believer of sorts. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“A clear, accessible account of the ‘pilgrimage of reason’ which has led Flew to a belief in God.” (John Polkinghorne, author of Belief in God in an Age of Science)

“Antony Flew’s book will incense atheists who suppose (erroneously) that science proves there is no God.” (Ian H. Hutchinson, Professor and Head of the Dept. of Nuclear Science and Engineering, MIT)

“Towering and courageous... Flew’s colleagues in the church of fundamentalist atheism will be scandalized.” (Francis S. Collins, New York Times bestselling author of The Language of God)

“A very clear and readable book tracing his path back to theism, revealing his total openness to new rational arguments.” (Richard Swinburne, author of The Existence of God)

“This is a remarkable book in many ways.” (Huston Smith, author of The World's Religions)

“This is a fascinating and very readable account …” (Professor John Hick, Fellow of the Institute for Advanced Research in Arts and Social Sciences, University of Birmingham)

“A stellar philosophical mind ponders the latest scientific results. The conclusion: a God stands behind the rationality of nature.” (Michael Behe, author of Darwin's Black Box and The Edge of Evolution)

“Antony Flew not only has the philosophical virtues; he has the virtues of the philosopher. Civil in argument, relentlessly reasonable….” (Ralph McInerny, Professor of Philosophy, University of Notre Dame)

“A fascinating record …it will come as a most uncomfortable jolt to those who were once his fellow atheists.” (Nicholas Wolterstorff, Noah Porter Professor Emeritus of Philosophical Theology, Yale University)

“Flew’s exposition will be a source for reflective inquiry for many, many years...” (Daniel N. Robinson, Philosophy Department, Oxford University)

“Flew couldn’t be more engaging and remain an analytic philosopher...” (Booklist)

“In clear prose and brief chapters, Flew explains the four lines of evidence that convinced him....An intellectual conversion of great significance.” (Denver Post)

“The most lucid and penetrative pieces of philosophical theology to appear in years, altogether brilliant.” (The Catholic Herald)

“A most valuable and readable overview of the many evidential changes of landscape that 20th century science is furnishing to the oldest question in Western civilization: Is there a God?” (American Spectator)

About the Author

Philosopher and former atheist Antony Flew set the agenda for modern atheism with his 1950 essay "Theology and Falsification," which became the most widely reprinted philosophical publication of the last half century. Flew has published over thirty books, including God and Philosophy, The Presumption of Atheism, and How to Think Straight. He spent twenty years as professor of philosophy at the University of Keele and has also held positions at Oxford, the University of Aberdeen, and the University of Reading. He now lives in Reading, England.

Most helpful customer reviews

538 of 587 people found the following review helpful.
The Road Less Traveled By
By George R Dekle
Several years ago I read Antony Flew's book, "Thinking about Thinking" in its American incarnation (titled "How to Think Straight"). I immediately discerned three things. Flew was (1) a profound thinker, (2) an atheist, and (3) a decent human being. I was so impressed by his intellect that when I reached the last page, I turned back to page one and immediately read the book again.

I have since bought "God and Science" and "Merely Mortal". In "God and Science", Flew weighed the case for the Christian God and found it wanting, and in "Merely Mortal" he decided that there was no life after death. As I understand "There is a God", Flew sticks to both those positions. Flew has found God, but he has found Aristotle's god, the impersonal Unmoved Mover which, like God in Hobbes' "Leviathan" was the first cause of every subsequent effect. Aristotle's god is so ungodly that I have always considered him (Aristotle) the functional equivalent of an atheist. Flew's take on the Christian view of God seems to be as follows: God hasn't been proven to be like that, but it would be nice if he were. I can't say for sure, but I don't think Flew's assessment of the Christian God was any different before he renounced atheism. Flew has always been somewhat of an anomaly among atheists--an atheist who was polite to theists. A wit once said that an evangelical Christian was a fundamentalist with good manners. Flew was an atheist with good manners.

I've read a lot of atheist polemic, and I'm turned off by the ad hominem character of most of their arguments. It puts me in mind of Cicero's old dictum, "When you have no case, abuse the plaintiff". I've also read a lot of fundamentalist polemic which turns me off for the same reason. When an argument generates more heat than light, you have cause to suspect the bona fides of the person making the argument.

A New York Times article maligned Flew's book as the pseudo-scientific product of a "senescent scholar". Flew never claims that his book is science. He says it is philosophy which has been guided by scientific discovery made after he announced his atheism in 1950. I will admit that I had to look "senescent" up in the dictionary. It means "old". Okay. Are we to presume that all Social Security recipients are too dumb to be listened to? The terms "pseudo-science" and "senescent" are examples of subtle ad hominem arguments, designed to appeal to emotion rather than logic. The article engages in several other ad hominem arguments under the guise of factual reporting. I'll mention only one other.

The article suggests that a friend of Flew's, Ray Varghese, is a Christian "autodidact" who exploited poor old senescent Flew in the writing of the book. (I looked up "autodidact". It's a self-educated person. Shame on Varghese for teaching himself). It says on the cover of the book that the two collaborated. How did Varghese exploit Flew? By writing too much of the book? Varghese rebutted the article by admitting that he was responsible for the colorful anecdotes and witty section headings, but maintained that the core thought was through-and-through Flew.

I found this book yesterday afternoon and read it yesterday evening, blissfully ignorant of the controversy. These are the impressions I formed before I became aware of the controversy (I haven't changed them after reading about the controversy):

1. The work is not as rigorously reasoned as previous work by Flew. This was both good and bad. It was easier to read, but not as challenging.

2. The work repeated some recent arguments made by theists (such as the "fine tuning" argument) without subjecting them to the searching inquiry characteristic of Flew's earlier work.

3. The heart and soul of the book is Flew, and it is not that different from the Flew who was an atheist. Flew was always willing to change his mind if someone could show him through rational argument that there was a God. Someone did, and he changed his mind--but not much.

Most people come to God through faith, not reason. Flew has taken the road less traveled by, and that has made quite a difference. He has only approached Theism. You might say that he has come to the strait gate, but he has yet to enter thereby. I respected Flew from my first encounter with him, and this book has increased my respect.

1091 of 1216 people found the following review helpful.
READ THE BOOK
By Benjamin D. Wiker
Call me old-fashioned, but I thought the POINT of reviewing books--even books on Amazon--was to review the actual book that one has actually READ. It seems now that it has become a place to "spike" books that you haven't read, and don't want others to read.

Unlike other pseudo-reviewers, I've actually read Flew's There is a God (and interviewed Flew as well). Anyone who has actually read it--and I wonder if Mark Oppenheimer did, given the inattention to the substance of the book in his infamous NYT piece--understands that it is a terse description of Flew's long, drawn out intellectual journey toward God--a journey of two decades. Twenty years; not twenty minutes or twenty days. Flew wasn't struck by God on his way to Damascus like St. Paul; he was slowly, ever so slowly brought to intellectual assent to a Deism (about the thinnest belief in God one can have).

Thus, the entire focus of a reader of Flew's There is a God SHOULD be on the list of books Flew cites as definitive in the slow changing of his mind, not on niggling debates about the slowness of Flew's mind at this precise point.

Roy Varghese (his co-author) has been with him for a good part of that journey (as have other believers), and was instrumental in helping Flew gather together his twenty year sojourn to God. IF there were some kind of a Christian conspiracy to use Flew as a mouthpiece, certainly Varghese et al would have made Flew's "conversion" far more exciting, and even more, would have him become a card-carrying Christian rather than, as he adamantly maintains, a Deist (not even a Theist!--Flew corrected me on this point in an interview with him). To read Varghese's full response to Oppenheimer, see [...]

In regard to Varghese's The Wonder of the World (one of the books that helped convince Flew of the scientific case for an intelligent Creator God), Oppenheimer characterizes it as scientific hack work. Interesting! Why does it also come recommended by TWO Nobel Prize Winners (Charles Townes, inventor of the laser; and Arno Penzias, who co-discovered Cosmic Microwave Bacground Radiation), and also physicist (and non-believer) Robert Jastrow? Are they also senile? Come on, folks!

As even Oppenheimer admits, the kind of arguments that Flew cites as demonstrating that the latest science leads (at least) to Deism, are those used by a whole host of other eminent scientists and philosophers. Is Paul Davies senile?

The simple truth is that there are all too many who don't want the scientific and philosophic arguments that convinced Flew of God's existence to receive any recognition. They will do anything to stop others from reading Flew's book. Perhaps they should read it themselves?

135 of 148 people found the following review helpful.
Useful- But Incomplete
By Kyle Deming
Antony Flew opened up a firestorm of controversy when he publicly announced his conversion from atheism to deism in late 2004. As one of the most influential atheists of the 20th century, his change in mind was stunning. Many atheists were quick to denounce Flew- claiming that he was losing touch with reality in his old age. Flew, however, stood his ground, insisting that his conversion was real, thoughtful, and based on compelling evidence for the existence of a Creator.

In "There is a God", Flew recounts his life leading up to his conversion. Starting from his humble beginnings as the son of a preacher and leading to his persuasive defense of atheism as an academic, Flew gives us a brief glimpse into his life and work. Along the way, he points out that he has had many radical `conversions' in thinking. In his view, switching from atheism to deism is no particularly big deal. He just followed the evidence where it led.

The second part of the book offers a brief discussion of this evidence. Remarkably, in sharp distinction to the numerous atheist authors writing today, Flew contends that scientific discoveries (buttressed, of course, by philosophical arguments) have vindicated the existence of God. He mentions three areas where this is starkly the case. The first is the fact that nature obeys laws. The second is the existence of intelligently organized life. The third is the very existence of nature.

Unfortunately, Flew's discussion of these issues is rather cursory. Those looking for a detailed exposition need to explore elsewhere. Nevertheless, Flew's treatment is a welcome departure from the terrible philosophical treatment of scientific issues found in many of the new atheist books. Flew rightly calls out those scientists who offer philosophical arguments concerning the implications of the scientific facts. While they are perfectly within their rights to offer their philosophical opinion, these opinions must be judged by the canons of philosophy, not science. All too often, folks like Richard Dawkins assume that their scientific expertise entails that their philosophical views should be taken as authoritative. Flew rightly points out the distinction here.

Flew's "There is a God" is a quick and easy read. If you are interested in the life and work of Antony Flew, then this book will prove useful. Those looking for an extensive discussion of the arguments for the existence of God or for a refutation of atheism must look elsewhere.

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